The Criterion Collection
Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
Features
Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
Dec 17, 2017 — “He’s joking all the time if he feels he has an audience,” Barbet Schroeder said of Idi Amin in a 1976 New York Post interview.I think we know the type.Ugandan dictator Amin, the subject of Schroeder’s 1974 documentary General Idi Amin Dada: A...
Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.
Oct 30, 2018 — Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.
The Daily
Sep 10, 2017 — “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with the filmmaker for the Japan Times. “Kore-eda rejects...