The Criterion Collection
Essays
Aug 20, 2001 — Carl Dreyer’s 17th-century period piece leaves all major questions frustratingly unresolved yet vibrantly open, quivering and radiant with life and meaning.
Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...
Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
The Daily
Sep 17, 2019 — Also this month: Hollywood stars writing and reading and a novel that reimagines the intertwined lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl.
The Daily
Jun 9, 2017 — “The 25 Best Films of the 21st Century. So Far.” Frankly, this time of year, my cursor tends to fly right over a headline like that, having worn itself out on such lists from Thanksgiving through Oscar Night. But this...
Essays
Jul 19, 2004 — Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”