The Criterion Collection
Essays
Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...
Jun 24, 1990 — Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...
Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
The Daily
Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
The Daily
Aug 18, 2026 — The Academy Museum has outfitted its theater to present a series of “ultra-rare VistaVision prints as well as 70 mm remasters and new 6K digital scans.”
The Daily
Jul 29, 2026 — Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.
The Daily
Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.