The Criterion Collection
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.
Features
Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...
The Daily
Dec 17, 2025 — An amiable actor, Reiner launched his directorial career with a seven-film winning streak.
The Daily
Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.
May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
Dec 12, 2023 — In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...