The Criterion Collection
Essays
May 5, 1998 — John Woo’s last film made in Hong Kong before his emigration to the U.S. reflects the city's anxieties and state of crisis throughout the decade.
An epic elegy set in 1920s Oklahoma, a vision of life in the wake of nuclear devastation, one of the most intoxicating love stories ever told, a Hong Kong action tour de force, a hard-boiled gangster noir, and an irreverent...
Beloved for their biting humor and relentlessly suspenseful narratives, the films of this South Korean auteur are thrilling studies of class warfare and corruption.
The celebrated filmmaker talks about Nastassja Kinski’s Korean fanbase, his favorite of Akira Kurosawa’s Shakespeare adaptations, and the DVD that Park Chan-wook swiped from him.
The beloved Hong Kong filmmaker has influenced a generation of cinematic sensualists with his wistfully romantic dramas and lush, nostalgia-soaked aesthetics.
The Daily
Jul 9, 2025 — New films by Radu Jude, Fabrice Aragno, Alexandre Koberidze, and Ben Rivers are slated to compete for the Golden Leopard.
The Daily
Mar 5, 2021 — This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.
Brian Hu is associate professor of Television, Film, and New Media at San Diego State University. He is also the artistic director of the San Diego Asian Film Festival, and the author of Worldly Desires: Cosmopolitanism and Cinema in Hong...
Aaron Han Joon Magnan-Park is Assistant Professor in the Department of Comparative Literature at the University of Hong Kong. He received his PhD in film studies from the University of Iowa. He specializes in Hong Kong action cinema, contemporary South...
Maggie Lee is a curator of Asian cinema and chief Asia film critic for Variety. She has contributed as English editor and translator to the Hong Kong Film Archive’s publications, including The Swordsman and His Jiang Hu: Tsui Hark and...