The Criterion Collection
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
Essays
Jan 27, 1993 — In beautifully composed black-and-white and tempered by a gentle and nostalgic choral score, Kon Ichikawa's drama probes deeply into the moral chaos of war.
Essays
Apr 10, 1989 — Two years after The Horse’s Mouth director Ronald Neame cast Alec Guinness in this film, based on a book by James Kennaway.
Essays
Sep 5, 1988 — A wild mixture of gangster thriller, slapstick comedy, and bittersweet romance, François Truffaut’s second film was one of the signal works of the French New Wave.
The Daily
Oct 19, 2026 — Imperium has won a top prize in London, and now it’s set to open the first complete retrospective in North America.
Aug 10, 2026 — As A. Rimbaud carries on building a dedicated audience, San Diego’s Digital Gym presents a retrospective.
The Daily
Apr 1, 2026 — BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.
The Daily
Jan 26, 2026 — The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.