The Goalkeeper’s Fear of the Penalty

Jul 6, 2017 — Our very first DVD edition, Jean Renoir’s masterpiece Grand Illusion, streams on the Criterion Channel in celebration of the film’s eightieth anniversary.

May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.

May 11, 2017 — Steve Gunn is regarded as one of the finest guitar players of our era. The Philadelphia native got off to an early start in high school punk bands before establishing himself as a player in different genres and touring internationally....

May 8, 2017 — Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.

Apr 21, 2017 — Nathan Silver graduated from New York University’s Tisch School of the Arts in 2005. Since then, he has written and directed four short films and eight feature films: The Blind (2009), Exit Elena (2012), Soft in the Head (2013), Uncertain...

Apr 14, 2017 — Zach Braff is an actor, director, screenwriter, and producer notable for his lead role on the television comedy series Scrubs. He made his directorial debut in 2004 with Garden State and most recently directed a remake of the 1979 Martin...

Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

Apr 7, 2017 — Barnaby Clay is a British film director from London. He graduated in 1996 from the London International Film School and has spent the past fifteen years directing music videos for bands and artists such as Gnarls Barkley, Dave Gahan, TV...

Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.

Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.