The Criterion Collection
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Essays
Jul 25, 2005 — Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.
Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.
Essays
Oct 30, 2000 — Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
The Daily
Jul 17, 2026 — This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.
The Daily
Jul 16, 2026 — Marking the publication of Rohmer’s only novel, Élisabeth, the Six Moral Tales cycle is revived in four U.S. cities.
The Daily
Jun 18, 2026 — We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.