The Criterion Collection
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Oct 2, 2018 — Performances There’s an irreducible reserve about Kristen Stewart, an appearance of not doing much on-screen, that I mistook for lack of talent when I first saw her mumbling into her shirt in the Twilight franchise. Still, playing Bella Swan, chastity...
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.