The Criterion Collection
The Daily
Nov 14, 2019 — Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.
On the Channel
Nov 12, 2019 — Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
The Daily
Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.
The Daily
Jul 5, 2019 — This week, we look back on the making of If...., black filmmakers in the 1990s, and the golden age of Mexican cinema.
On the Channel
Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
The Daily
Mar 14, 2018 — From today through March 30, the Quad Cinema in New York is presenting Pacino’s Way, a decades-spanning retrospective that will build up to screenings of two films Pacino’s directed, Wilde Salomé (2011) and Salomé (2013). “From 1971 to 1976,” writes...
The Daily
Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...