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The Circle

Nov 2, 2018 The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.

Jun 19, 2024 A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.

In the Zones

The Daily

Feb 9, 2024 We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.

Dec 5, 2023 While 2023 is sorted, Sight and Sound invites critics and filmmakers to revisit some of their all-time favorites.

Dec 10, 2022 Screening the Past returns, Another Screen presents films from Iran, and Céline Sciamma talks about the thirtieth greatest film of all time.

Feb 10, 2021 Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.

Jan 26, 2021 Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...

Aug 11, 2020 The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...

Jan 7, 2016 At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.

Sep 22, 2009 1967 was the year when a great divide opened between “pop” and “rock,” and when the burgeoning S.F. hippie subculture began to usurp the chirpier L.A. world of surf music and Sonny and Cher.

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