Film

Mark Le Fanu teaches film at University College London. He has written extensively about Russian and Japanese cinema. His most recent book, Believing in Film: Christianity and Classic European Cinema (Bloomsbury, 2018), has just been issued in paperback.

Critic and author Maitland McDonagh writes and lectures on film and erotica. An editor at Riverdale Avenue Books, she founded its 120 Days Books imprint to republish vintage gay adult novels.

Dana Polan teaches cinema studies at New York University’s Tisch School of the Arts. He is the author of eight books on film and cultural studies, including a volume on Jane Campion in the British Film Institute’s World Directors series,...

Kenneth Turan is film critic for the Los Angeles Times and National Public Radio’s Morning Edition, as well as the director of the Times Book Prizes. His latest books are Never Coming to a Theater Near You and Now in...

Irene Bignardi was the film critic for the Italian daily La repubblica for fifteen years and later the director of the Locarno Film Festival. She is now critic at large for La repubblica and the author of Memorie estorte a...

Peter von Bagh is a Finnish film historian, author, television and radio director and producer, book publisher, and film director. From 1970 to 1985, he was curator and program director of the Finnish Film Archive. Since 1971, he has been...

Deborah Young is a film critic and journalist living in Rome. She has written extensively about Italian cinema and is the international film editor of the Hollywood Reporter.

Andrew Moor is a reader in film history and theory at Manchester Metropolitan University. He is the author of Powell and Pressburger: A Cinema of Magic Spaces and coedited, with Ian Christie, The Cinema of Michael Powell: International Perspectives on...

Patrick Macias is the author of TokyoScope: The Japanese Cult Film Companion and the writer of the Paranoia Girls web comic.

Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...