The Criterion Collection
Cyril Neyrat has served on the editorial board of Cahiers du cinéma and as editor in chief of the film journal Vertigo. His film criticism has been published internationally in periodicals, in catalogs, in collected volumes, and on the website...
Nick Roddick (1945–2019), a former editor at Screen International, taught film and theater at universities in the UK, Ireland, and the U.S. before becoming a journalist in the early 1980s. He contributed regularly to the London Evening Standard and Sight...
Ivone Margulies is the author of In Person: Reenactment in Postwar and Contemporary Cinema and Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. She is the editor of Rites of Realism: Essays on Corporeal Cinema and the coeditor of On Women’s Films:...
Leonard Quart is Professor Emeritus of Cinema Studies at the College of Staten Island and the CUNY Graduate Center, as well as a contributing editor of Cineaste. His books include American Film and Society Since 1945 (coauthored with Albert Auster)...
Monte Hellman, a protégé of legendary producer/director Roger Corman, is best known for a pair of Jack Nicholson Westerns, as well as the cult film favorites Two-Lane Blacktop, Cockfighter, and China 9 Liberty 37. He has also worked as a...
Lisa Dombrowski is the author of The Films of Samuel Fuller: If You Die, I’ll Kill You! and the editor of Kazan Revisited. She has written for the New York Times, Film Comment, Film Quarterly, Film History, and the Velvet...
Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh. His most recent film production is The Seasons in Quincy: Four Portraits of John Berger (2015). His collection Perpetual Carnival: Essays on Film and Literature was...
Mark Rappaport is a filmmaker and writer. His films include Rock Hudson’s Home Movies and From the Journals of Jean Seberg. He is a regular contributor to the French film magazine Trafic, edited by Raymond Bellour. A collection of his...
Charles Musser is a professor of film and media studies at Yale University. His seventy-two-minute documentary Errol Morris: A Lightning Sketch recently premiered at the Big Sky Documentary Film Festival.
Geoffrey O’Brien’s books include The Phantom Empire; Sonata for Jukebox; The Fall of the House of Walworth; Stolen Glimpses, Captive Shadows: Writing on Film, 2002–2012; Where Did Poetry Come From: Some Early Encounters; and Arabian Nights of 1934.