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Mar 9, 2016 Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...

Feb 25, 2016 Repertory PicksFrom now until April 25, Emory University’s Emory Cinematheque in Atlanta will be hosting the series French New Waves: Classics and Rediscoveries. In addition to seminal works of the nouvelle vague, the series will be showcasing some celebrated precursors...

Nov 25, 2015 Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 19, 2015 Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.

Nov 3, 2015 We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

Oct 21, 2015 Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Sep 28, 2015 Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 2, 2015 We love it when great novelists write about cinema—they’re often able to capture something ineffable and magical about the form that critics may have come to take for granted. Case in point: the New York Review of Books has posted...

Jul 2, 2015 By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.

Jun 29, 2015 This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

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