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The Hand

May 7, 2024 This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.

Jul 13, 2022 Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

February Books

The Daily

Feb 18, 2021 We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.

Feb 14, 2020 Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.

Mar 28, 2019 Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

Big Ears 2018

The Daily

Feb 2, 2018 For nearly a decade now, the Big Ears Festival in Knoxville has been a low-key event of high significance to the world of music. Writing about the 2016 edition in the New York Times, Ben Ratliff noted that it “has...

Jan 29, 2018 New York. The Metrograph’s “essential series Tell Me: Women Filmmakers, Women’s Stories gets its title from a 1980 documentary by Chantal Akerman called Dis-Moi, which is one of the earliest filmed works of oral history about the Holocaust,” writes Richard...

Nov 22, 2017 We begin with the latest entry in Reverse Shot’s symposium on time, Chris Wisniewski’s, on Rainer Werner Fassbinder’s The Merchant of Four Seasons (1971). The focus here is on “a sequence that seems at first ordinary and unravels under scrutiny,...

Nov 3, 2017 “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

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