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The Hindenburg

Sep 24, 2015 It’s a film that stars David Bowie, so it should come as no surprise that Nicolas Roeg’s The Man Who Fell to Earth is as richly layered sonically as it is visually. However, although Bowie wrote songs for the sci-fi...

Sep 24, 2015 Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Sep 21, 2015 Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.

Sep 8, 2015 Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Sep 4, 2015 Repertory PicksLook what’s on the cover of Pasatiempo, the Santa Fe New Mexican’s weekly arts magazine, this morning! Robert Montgomery’s brilliant if underseen 1947 noir Ride the Pink Horse is screening tonight at the city’s Jean Cocteau Cinema, to coincide...

Sep 3, 2015 Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...

Aug 5, 2015 Night and the City was made in 1950, under circumstances almost as tense as those in the film. Knowing he was about to be blacklisted during the Communist witch hunts of the McCarthy era, director Jules Dassin fled to London,...

Aug 3, 2015 On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jul 30, 2015 It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

Jul 6, 2015 The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

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