The Criterion Collection
Dec 9, 2025 — In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.
The Daily
Dec 5, 2024 — Jane Schoenbrun’s I Saw the TV Glow scores six Spirit Awards nominations and is the cover story in the new Film Quarterly.
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
The Daily
Apr 8, 2018 — Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....
Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.
The Daily
Feb 6, 2018 — “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.
The Daily
Feb 23, 2022 — Twenty-nine nonfiction and hybrid films will screen through March 10.
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....