The Criterion Collection
The Daily
Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.
On the Channel
Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
The Daily
Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.
The Daily
Sep 2, 2020 — Festival directors join Venice head Alberto Barbera, who encourages the industry to get back up and running again.
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
Short Takes
Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.
Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...
The Daily
Nov 17, 2022 — Ten films will screen over three days in two theaters in Prague.
Jan 26, 2018 — We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...