The Criterion Collection
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...
The Daily
Jul 14, 2026 — News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.
The Daily
Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.
May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...
May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.
The Daily
May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.
Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...
Mar 16, 2026 — Paul Thomas Anderson’s One Battle After Another wins six, and Ryan Coogler’s Sinners wins four.
The Daily
Mar 13, 2026 — SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.