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The Class

Nov 22, 2022 Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.

Jul 16, 2018 The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

Feb 24, 2016 Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Dec 18, 2013 South Korean filmmaker Bong Joon-ho is the director of The Host (2006), Mother (2009), and Snowpiercer (2013). We interviewed him for our release of the classic South Korean film The Housemaid, available in the World Cinema Project box set. After...

Jul 30, 2013 A genuine American movie legend, the eighty-seven-year-old producer and director Roger Corman has been in the film business since the early 1950s. He is perhaps best known for the low-budget horror films he issued with remarkable speed in the early...

Nov 13, 2012 Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Sep 13, 2011 Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...

Nov 21, 2008 Independent filmmaker and underground music aficionado David Markey’s films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all...

Kwaidan

Essays

Oct 9, 2000 One of the most meticulously crafted supernatural fantasy films ever made, Masaki Kobayashi’s Kwaidan (1964) is also one of the most unusual. While such classic black and white chillers as The Uninvited, The Innocents and The Haunting teasingly speculate on...

The writer and director of the cult classic The Babadook shares her love for fellow Australian filmmaker Peter Weir’s The Last Wave, talks about her repeat viewings of Mulholland Dr., and selects spine-tingling Japanese horror classics Kuroneko and Onibaba.

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