Three Friends

Sep 22, 2009 — Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

May 13, 2009 — It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...

Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.

Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...

Jul 19, 2004 — In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Aug 31, 2026 — The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

Aug 27, 2026 — The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.