The Criterion Collection
Jim DeRogatis is the cohost of Sound Opinions, “the world’s only rock-and-roll talk show,” originating from WBEZ Chicago and distributed nationally on public radio via PRX; a full-time lecturer in the Professional Writing Program at Columbia College in Chicago; and...
Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...
Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...
Philip Kemp is a film critic and historian, and a regular contributor to Sight and Sound.
Barney Hoskyns is the author of Waiting for the Sun: Strange Days, Weird Scenes, and the Sound of Los Angeles. This piece originally appeared in the Criterion Collection’s 2002 DVD edition of Monterey Pop.
Lizzie Francke has written about film for Sight & Sound and the Guardian and is the author of Script Girls: Women Screenwriters in Hollywood. From 1997-2001, she was the Artistic Director of the Edinburgh International Film Festival. She now works...
Peter Matthews is a senior lecturer in film and television at the London College of Communication, University of the Arts London. He is also a regular contributor to Sight & Sound.
Kim Newman is a novelist, critic, and broadcaster. His books include the Anno Dracula series and Nightmare Movies. He is a contributing editor to Sight & Sound and Empire magazines and writes for Video Watchdog.
Michael Atkinson writes regularly for the Village Voice and Sight and Sound, and teaches at Long Island University. His books include Exile Cinema (SUNY Press) and Blue Velvet (British Film Institute), which was reissued in a new edition in 2021.
Terrence Rafferty is the author of The Thing Happens: Ten Years of Writing About the Movies. He has written for the New Yorker, the Atlantic, the New York Times, the Nation, GQ, and Sight and Sound, and taught at Columbia...