Next Wednesday evening, as part of the ongoing series Reviving and Reviewing the “Race Film,” the International House Philadelphia’s Lightbox Film Center will host a screening of Kenneth Macpherson’s 1930 silent film Borderline. Produced in Switzerland as a vehicle for the African American performer and activist Paul Robeson—then well known as a singer and stage actor, but relegated to the margins of the film industry in his attempts to cross over to the screen—Borderline tells the story of an interracial affair that scandalizes a small European village and threatens to tear apart two couples. British film theorist Macpherson infused the melodrama, his first and only feature, with a startling degree of intensity, merging the montage style of Sergei Eisenstein and the psychological realism of G. W. Pabst to convey the devastating emotional effect of racial prejudice and sexual oppression. In the words of the modernist poet H. D., who costars in the film alongside Robeson and his wife, Eslanda, the director “sculpts literally with light. He gouges, he reveals, he conceals.”
An Antiwar Film for the Ages Returns to Theaters
Elem Klimov’s devastating chronicle of World War II, Come and See, is back on the big screen in a new restoration. Here’s what the critics have to say about this Soviet masterpiece.
Two Stark Visions of the American Underbelly Hit the Big Screen
A new restoration of the groundbreaking vérité documentary Streetwise joins its companion piece, Tiny: the Life of Eric Blackwell, at New York’s Metrograph theater this weekend.