For his Hollywood debut, a chilling adaptation of Daphne du Maurier’s novel Rebecca, Alfred Hitchcock made full use of his newfound access to big-studio resources. With a keen eye for detail developed during his stint as an art director in England in the 1920s, Hitchcock blended opulent production design, dreamlike cinematography, and a wealth of innovative special effects, crafting a gothic setting that stands among the most unsettling visions in his entire filmography. This elegant psychodrama takes place at a baroque ancestral mansion called Manderley, the haunted home of a wealthy man (Laurence Olivier) and the young woman he has recently married (Joan Fontaine). Hitchcock conjured the look of this lavish estate on studio sets, using a combination of miniatures and matte paintings that create a sense of scale, texture, and mood. For a supplement on our new edition of the film, Oscar-winning visual effects artist and film historian Craig Barron (The Curious Case of Benjamin Button) offered his insights on the effects techniques used throughout the film. Watch the excerpt below for a close look at the construction of Manderlay and the meticulous work that went into executing one of the film’s most dramatic moments.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.