The programmers of St. Louis’s fourth annual Classic French Film Festival series, copresented by Cinema St. Louis and the Webster University Film Series, have veered a bit from the usual path by including Chris Marker’s idiosyncratic travelogue Sans soleil in their lineup. Alongside such established Gallic favorites as Marcel Carné’s Children of Paradise, Jean Renoir’s Grand Illusion, and Henri-Georges Clouzot’s The Wages of Fear, Marker’s hypnotic documentary, which screens July 19, seems the wonderfully odd man out. A film that functions like a free-association session, Sans soleil is a spectacular meditation on time and memory that crisscrosses the globe to reveal truths about humanity and technology in the modern world. Watch the first minute of Sans soleil below to see the image that inspired Marker to embark on the project. Also, love the title font.
An Antiwar Film for the Ages Returns to Theaters
Elem Klimov’s devastating chronicle of World War II, Come and See, is back on the big screen in a new restoration. Here’s what the critics have to say about this Soviet masterpiece.
Two Stark Visions of the American Underbelly Hit the Big Screen
A new restoration of the groundbreaking vérité documentary Streetwise joins its companion piece, Tiny: the Life of Eric Blackwell, at New York’s Metrograph theater this weekend.