Loving Lola
By February 10, 2010
You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, . . . Read more »
Lola Montès is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol. With his customary cinematographic flourish and, for the first time, vibrant color, Max Ophuls charts the course of Montès’s scandalous past through the invocations of the bombastic ringmaster (Peter Ustinov) of the American circus where she has ended up performing. Ophuls’s final film, Lola Montès is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a one-of-a-kind movie spectacle.
| Lola Montès | Martine Carol |
| Ringmaster | Peter Ustinov |
| Ludwig I, King of Bavaria | Anton Walbrook |
| Franz Liszt | Will Quadflieg |
| Student | Oskar Werner |
| Lieutenant Thomas Jane | Ivan Desny |
| Horseman Maurice | Henry Guisol |
| Director | Max Ophuls |
| Based on the novel by | Cécil Saint-Laurent |
| Screenplay | Annette Wademant and Max Ophuls |
| Dialogue | Jacques Natanson |
| Producer | Albert Caraco |
| Cinematography | Christian Matras |
| Editing | Madeleine Gug |
| Production design | Jean d'Eaubonne |
| Costume Design | Georges Annenkov |
| Music | Georges Auric |
By February 10, 2010
You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, . . . Read more »
By February 10, 2010
You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, . . . Read more »
February 18, 2010
It’s no surprise that Max Ophuls’s fashionable (and fashionably late to home video) Lola . . . Read more »
By February 10, 2010
You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, . . . Read more »