Italy
1950
87 minutes
Black and White
1.33:1
Italian
293
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
| Saint Francis | Brother Nazario Gerardi |
| Brother Ginepro | Brother Severino Pisacane |
| Giovanni | Esposito Bonaventura |
| Nicolaio the Tyrant | Aldo Fabrizi |
| Saint Clare | Arabella Lemaître |
| Franciscan brothers | Brother Nazareno |
| Brother Raffaele | |
| Brother Robert Sorrentino |
| Director | Roberto Rossellini |
| Screenplay | Roberto Rossellini, Federico Fellini, Father Antonio Lisandrini and Father Felix Morlion |
| Producer | Angelo Rizzoli |
| Associate producer | Giuseppe Amato |
| Cinematography | Otello Martelli |
| Camera | Luciano Trasatti |
| Music | Renzo Rossellini |
| Music (liturgical chants) | Father Enrico Buondonno |
| Sound | Eraldo Giordani and Raffaele Del Monte |
| Editing | Jolanda Benvenuti |
| Production Design | Virgilio Marchi |
| Costume design | Marina Arcangeli and Ditta Peruzzi |
André Bazin has a curious status in intellectual life. He is everywhere admitted as the founding father of film criticism and theory in general. The magazine he created in the 1950s, Cahiers du cinéma, has good claim to be the most influential film magazine ever published. And yet, at the...
One of the biggest celebrity scandals of the early postwar period erupted when Italian director Roberto Rossellini, who had become world famous with his 1945 neorealist classic Open City, and Ingrid Bergman, the Hollywood star of such wholesome films as The Bells
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