Three Reasons: The Tin Drum
January 23, 2013
Oskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society, he refuses to grow older after his third birthday. While the chaotic world around him careers toward the madness and folly of World War II, Oskar pounds incessantly on his beloved tin drum and perfects his uncannily piercing shrieks. The Tin Drum, which earned the Palme d’Or at Cannes and the Academy Award for best foreign-language film, is Volker Schlöndorff’s visionary adaptation of Nobel laureate Günter Grass’s acclaimed novel, characterized by surreal imagery, arresting eroticism, and clear-eyed satire.
| Oskar Matzerath | David Bennent |
| Alfred Matzerath | Mario Adorf |
| Agnes Matzerath | Angela Winkler |
| Maria Matzerath | Katharina Thalbach |
| Jan Bronski | Daniel Olbrychski |
| Anna Koljaiczek (old) | Berta Drews |
| Anna Koljaiczek (young) | Tina Engel |
| Greff | Heinz Bennent |
| Löbsack | Ernst Jacobi |
| Lina Greff | Andréa Ferréol |
| Sigismund Markus | Charles Aznavour |
| Joseph Koljaiczek | Roland Teubner |
| Uncle Vinzenz | Tadeusz Kunikowski |
| Gretchen Scheffler | Ilse Pagé |
| Scheffler | Werner Rehm |
| Roswitha Raguna | Mariella Oliveri |
| Bebra | Fritz Hakl |
| Clown 1 | Emil Feist |
| Clown 2 | Herbert Behrendt |
| Felix | Karl Heinz Tittelbach |
| Director | Volker Schlöndorff |
| Producers | Franz Seitz, Anatole Dauman and Eberhard Junkersdorf |
| Music | Maurice Jarre |
| Editor | Suzanne Baron |
| Director of photography | Igor Luther |
| Screenplay | Jean-Claude Carrière, Franz Seitz and Volker Schlöndorff |
| Additional dialogue | Günter Grass |
| Based on the novel by | Günter Grass |
| Art director | Nikos Perakis |
| Set decorator | Bernd Lepel |
| Production design | Piotr Dudzinski and Zeljko Senecic |
| Costume design | Inge Heer, Dagmar Niefind and Yoshio Yabara |
| Sound | Peter Beil, Walter Grundauer and Peter Kellerhals |
| Key makeup artist | Ruzica Vidmar |
DIRECTOR-APPROVED SPECIAL EDITION:
By January 15, 2013
Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was . . . Read more »
By May 09, 2004
“A country unable to mourn,” Volker Schlöndorff wrote in his journal as he adapted Günter . . . Read more »
By January 15, 2013
Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was . . . Read more »
By May 09, 2004
“A country unable to mourn,” Volker Schlöndorff wrote in his journal as he adapted Günter . . . Read more »
By January 15, 2013
Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was . . . Read more »
September 22, 2010
The Museum of Modern Art in New York has announced the lineup of its eighth annual To Save and . . . Read more »
April 27, 2010
The lineup for the seventh annual Cannes Classics, a sidebar of the Cannes Film Festival that . . . Read more »
March 30, 2009
Here’s a quick birthday shout-out to Academy Award–winning, New German Cinema trailblazing . . . Read more »
By May 09, 2004
“A country unable to mourn,” Volker Schlöndorff wrote in his journal as he adapted Günter . . . Read more »