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October 26, 2012
With Vampyr, Danish filmmaker Carl Theodor Dreyer’s brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery (The Passion of Joan of Arc and Day of Wrath) was for once applied to the horror genre. Yet the result—concerning an occult student assailed by various supernatural haunts and local evildoers in a village outside Paris—is nearly unclassifiable, a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. With its roiling fogs, ominous scythes, and foreboding echoes, Vampyr is one of cinema’s great nightmares.
| Allan Gray | Julian West |
| Lord of the chateau | Maurice Schutz |
| Gisèle | Rena Mandel |
| Léone | Sybille Schmitz |
| The doctor | Jan Hieronimko |
| The woman from the graveyard | Henriette Gerard |
| The old servant | Albert Bras |
| His wife | N. Babanini |
| The nurse | Jane Mora |
| Director | Carl Th. Dreyer |
| Screenplay | Christen Jul and Carl Th. Dreyer |
| From a novel by | Sheridan Le Fanu |
| Cinematography | Rudolph Maté |
| Art direction | Hermann Warm |
| Music | Wolfgang Zeller |
SPECIAL EDITION DOUBLE-DISC SET:
By July 21, 2008
A glance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer . . . Read more »
By July 21, 2008
A glance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer . . . Read more »
June 10, 2010
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October 16, 2008
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September 11, 2008
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By July 21, 2008
A glance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer . . . Read more »