13 of Criterion’s Most Villainous Villains
October 31, 2011
Margot Kidder is Danielle, a beautiful model separated from her Siamese twin, Dominique. When a hotshot reporter (Jennifer Salt) suspects Dominique of a brutal murder, she becomes dangerously ensnared in the sisters’ insidious sibling bond. A scary and stylish paean to female destructiveness, De Palma’s first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Hitchcock collaborator Bernard Herrmann. Criterion is proud to present Sisters in a new Special Edition.
| Danielle Breton | Margot Kidder |
| Grace Collier | Jennifer Salt |
| Joseph Larch | Charles Durning |
| Emil Breton | Bill Finley |
| Phillip Woode | Lisle Wilson |
| Mr. McLennen | Barnard Hughes |
| Director | Brian De Palma |
| Producer | Edward R. Pressman |
| Screenplay | Brian De Palma and Louisa Rose |
| Editing | Paul Hirsch |
| Cinematography | Gregory Sandor |
| Music | Bernard Herrmann |
| Production design | Gary Weist |
| Titles | Richard Hess |
| Title sequence filmed by | Lennart Nilsson |
| Documentary | Jay Cocks |
By October 02, 2000
The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), . . . Read more »
By October 02, 2000
The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), . . . Read more »
By October 02, 2000
The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), . . . Read more »