TATI’S RIGHT-HAND MAN
Jun 10, 2009There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques . . .
France
1953
87 minutes
Black and White
1.33:1
French
110
Pipe-smoking Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort where his presence provokes one catastrophe after another. Tati’s wildly funny satire of vacationers determined to enjoy themselves includes a series of precisely choreographed sight gags involving dogs, boats, and firecrackers. The first entry in the Hulot series is a masterpiece of gentle slapstick.
| Monsieur Hulot | Jacques Tati |
| Martine | Nathalie Pascaud |
| The aunt | Micheline Rolla |
| Englishwoman | Valentine Camax |
| Fred | Louis Perrault |
| Commandant | André Dubois |
| Commandant's wife | Suzy Willy |
| Hotel proprietor | Lucien Frégis |
| Waiter | Raymond Carl |
| Director | Jacques Tati |
| Screenplay | Henri Marquet, Jacques Tati, Pierre Aubert and Jacques Lagrange |
| Producer | Fred Orain and Jacques Tati |
| Cinematography | Jacques Mercanton and Jean Mousselle |
| Editing | Suzanne Baron, Charles Bretoneiche and Jacques Grassi |
| Music | Alain Romans |
| Production Design | Henri Schmitt |
| Sound | Roger Cosson |
There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques . . .
Here’s a definite must-read: in its latest issue, Bright Lights Film Journal features André Bazin’s essay “Fifteen Years of French Cinema,” in its first-ever English translation (by Bert Cardullo). Originally delivered . . .
Some of you might have seen the news item on our website regarding the Jacques Tati “centennial-plus” and the exhibits . . .
Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously . . .
One of the most original—and hilarious—comedies ever made, M. Hulot’s Holiday has delighted and disarmed moviegoers the world over since its first appearance in 1953. There’s little in the way of plot or dialogue to this French-made farce about a group of vacationers at . . .
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