L’enfance nue: The Fly in the Ointment
By August 17, 2010
In his defiantly maverick directing career, which yielded only ten features in thirty-five . . . Read more »
The singular French director Maurice Pialat puts his distinctive stamp on the lost-youth film with this devastating portrait of a damaged foster child. We watch as ten-year-old François (Michel Terrazon) is shuttled from one home to another, his behavior growing increasingly erratic, his bonds with his surrogate parents perennially fraught. In this, his feature debut, Pialat treats that potentially sentimental scenario with astonishing sobriety and stark realism. With its full-throttle mixture of emotionality and clear-eyed skepticism, L’enfance nue (Naked Childhood) was advance notice of one of the most masterful careers in French cinema, and remains one of Pialat’s finest works.
| François Fournier | Michel Terrazon |
| Mrs. Thierry (Grandma) | Marie-Louise Thierry |
| Mr. Thierry (Grandpa) | René Thierry |
| Nana | Marie Marc |
| Raoul | Henri Puff |
| Simone Joigny | Linda Gutemberg |
| Robby Joigny | Raoul Billerey |
| Josette | Pierrette Deplanque |
| Director | Maurice Pialat |
| Cinematography | Claude Beausoleil |
| Screenplay | Arlette Langmann and Maurice Pialat |
| Sound | Henri Moline and Gilbert Pereira |
| Producer | François Truffaut, Claude Berri, Jo Seritzky, Sami Seritzky and Mag Bodard |
By August 17, 2010
In his defiantly maverick directing career, which yielded only ten features in thirty-five . . . Read more »
By August 13, 2010
One of the most challenging aspects of our work is to get accurate color for films when there . . . Read more »
By August 17, 2010
In his defiantly maverick directing career, which yielded only ten features in thirty-five . . . Read more »
August 31, 2010
In a review for the Los Angeles Times, Dennis Lim provides some context for the work of . . . Read more »
By August 17, 2010
In his defiantly maverick directing career, which yielded only ten features in thirty-five . . . Read more »
By August 13, 2010
One of the most challenging aspects of our work is to get accurate color for films when there . . . Read more »