UK Releases
Criterion Blu-ray region B editions available in the UK
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 1205 |
|
Mudbound | Dee Rees | United States, | 2017 |
| 1202 |
|
Lone Star | John Sayles | United States, | 1996 |
| 1180 |
|
Thelma & Louise | Ridley Scott | United States, | 1991 |
| 1193 |
|
La Bamba | Luis Valdez | United States, | 1987 |
| 1201 |
|
Guillermo del Toro’s Pinocchio | Guillermo del Toro and Mark Gustafson | United States, | 2022 |
| 996 |
|
The Circus | Charles Chaplin | United States, | 1928 |
| 549 |
|
The Last Picture Show | Peter Bogdanovich | United States, | 1971 |
| 1187 |
|
One False Move | Carl Franklin | United States, | 1992 |
| 1194 |
|
Freaks / The Unknown / The Mystic: Tod Browning’s Sideshow Shockers | |||
| 1185 |
|
After Hours | Martin Scorsese | United States, | 1985 |
| 799 |
|
The Kid | Charles Chaplin | United States, | 1921 |
| 333 |
|
Fists in the Pocket | Marco Bellocchio | Italy, | 1965 |
| 1068 |
|
Smooth Talk | Joyce Chopra | United States, | 1985 |
| 483 |
|
Repulsion | Roman Polanski | United Kingdom, | 1965 |
| 965 |
|
Wanda | Barbara Loden | United States, | 1970 |
| 521 |
|
Mystery Train | Jim Jarmusch | United States, | 1989 |
| 95 |
|
All That Heaven Allows | Douglas Sirk | United States, | 1955 |
| 457 |
|
Magnificent Obsession | Douglas Sirk | United States, | 1954 |
| 1167 |
|
Imitation of Life | John M. Stahl | United States, | 1934 |
| 512 |
|
Vivre sa vie | Jean-Luc Godard | France, | 1962 |
| 905 |
|
The Breakfast Club | John Hughes | United States, | 1985 |
| 1166 |
|
The Adventures of Baron Munchausen | Terry Gilliam | United Kingdom, | 1988 |
| 1164 |
|
The Velvet Underground | Todd Haynes | United States, | 2021 |
| 680 |
|
City Lights | Charles Chaplin | United States, | 1931 |
| 1127 |
|
Mississippi Masala | Mira Nair | United States, | 1991 |
| 1158 |
|
The Power of the Dog | Jane Campion | United States, | 2021 |
| 1159 |
|
The Infernal Affairs Trilogy | |||
| 147 |
|
In the Mood for Love | Wong Kar Wai | Hong Kong, | 2000 |
| 1152 |
|
Lost Highway | David Lynch | United States, | 1997 |
| 1154 |
|
Eve’s Bayou | Kasi Lemmons | United States, | 1997 |
| 1149 |
|
Take Out | Sean Baker and Shih-Ching Tsou | United States, | 2004 |
| 156 |
|
Hearts and Minds | Peter Davis | United States, | 1974 |
| 1140 |
|
Buck and the Preacher | Sidney Poitier | United States, | 1972 |
| 565 |
|
The Great Dictator | Charles Chaplin | United States, | 1940 |
| 720 |
|
The Big Chill | Lawrence Kasdan | United States, | 1983 |
| 889 |
|
The Breaking Point | Michael Curtiz | United States, | 1950 |
| 201 |
|
Umberto D. | Vittorio De Sica | Italy, | 1952 |
| 1131 |
|
Pink Flamingos | John Waters | United States, | 1972 |
| 22 |
|
Summertime | David Lean | United States, | 1955 |
| 1133 |
|
Okja | Bong Joon Ho | United States, | 2017 |
| 1130 |
|
Shaft | Gordon Parks | United States, | 1971 |
| 852 |
|
Black Girl | Ousmane Sembène | Senegal, | 1966 |
| 919 |
|
Dead Man | Jim Jarmusch | United States, | 1995 |
| 1126 |
|
Double Indemnity | Billy Wilder | United States, | 1944 |
| 1122 |
|
’Round Midnight | Bertrand Tavernier | United States, | 1986 |
| 1125 |
|
The Funeral | Juzo Itami | Japan, | 1984 |
| 1117 |
|
love jones | Theodore Witcher | United States, | 1997 |
| 505 |
|
Make Way for Tomorrow | Leo McCarey | United States, | 1937 |
| 781 |
|
In Cold Blood | Richard Brooks | United States, | 1967 |
| 543 |
|
Modern Times | Charles Chaplin | United States, | 1936 |
| 1113 |
|
Boat People | Ann Hui | Hong Kong, | 1982 |
| 564 |
|
Pale Flower | Masahiro Shinoda | Japan, | 1964 |
| 1114 |
|
Love Affair | Leo McCarey | United States, | 1939 |
| 96 |
|
Written on the Wind | Douglas Sirk | United States, | 1956 |
| 1111 |
|
Dick Johnson Is Dead | Kirsten Johnson | United States, | 2020 |
| 466 |
|
In the Realm of the Senses | Nagisa Oshima | Japan, | 1976 |
| 196 |
|
Hiroshima mon amour | Alain Resnais | France, | 1959 |
| 166 |
|
Down by Law | Jim Jarmusch | United States, | 1986 |
| 1106 |
|
One Night in Miami . . . | Regina King | United States, | 2020 |
| 306 |
|
Le samouraï | Jean-Pierre Melville | France, | 1967 |
| 1105 |
|
Menace II Society | Albert Hughes and Allen Hughes | United States, | 1993 |
| 536 |
|
The Thin Red Line | Terrence Malick | United States, | 1998 |
| 1102 |
|
Devi | Satyajit Ray | India, | 1960 |
| 700 |
|
Fantastic Mr. Fox | Wes Anderson | United States, | 2009 |
| 1098 |
|
The Damned | Luchino Visconti | Italy, | 1969 |
| 1097 |
|
Love & Basketball | Gina Prince-Bythewood | United States, | 2000 |
| 733 |
|
La dolce vita | Federico Fellini | Italy, | 1960 |
| 1091 |
|
Beasts of No Nation | Cary Joji Fukunaga | United States, | 2015 |
| 1090 |
|
Original Cast Album: “Company” | D. A. Pennebaker | United States, | 1970 |
| 898 |
|
Twin Peaks: Fire Walk with Me | David Lynch | United States, | 1992 |
| 1003 |
|
All About Eve | Joseph L. Mankiewicz | United States, | 1950 |
| 1086 |
|
Deep Cover | Bill Duke | United States, | 1992 |
| 562 |
|
Blow Out | Brian De Palma | United States, | 1981 |
| 1084 |
|
Mirror | Andrei Tarkovsky | Soviet Union, | 1975 |
| 1085 |
|
Bringing Up Baby | Howard Hawks | United States, | 1938 |
| 1083 |
|
Pariah | Dee Rees | United States, | 2011 |
| 541 |
|
The Night of the Hunter | Charles Laughton | United States, | 1955 |
| 1077 |
|
Flowers of Shanghai | Hou Hsiao-hsien | Taiwan, | 1998 |
| 1076 |
|
Merrily We Go to Hell | Dorothy Arzner | United States, | 1932 |
| 1075 |
|
Fast Times at Ridgemont High | Amy Heckerling | United States, | 1982 |
|
World of Wong Kar Wai | ||||
| 308 |
|
Masculin féminin | Jean-Luc Godard | France, | 1966 |
| 540 |
|
The Darjeeling Limited | Wes Anderson | United States, | 2007 |
| 1070 |
|
Secrets & Lies | Mike Leigh | United Kingdom, | 1996 |
| 669 |
|
Charulata | Satyajit Ray | India, | 1964 |
| 887 |
|
Lost in America | Albert Brooks | United States, | 1985 |
| 1071 |
|
Defending Your Life | Albert Brooks | United States, | 1991 |
| 267 |
|
Kagemusha | Akira Kurosawa | Japan, | 1980 |
| 57 |
|
Charade | Stanley Donen | United States, | 1963 |
| 1025 |
|
The Grand Budapest Hotel | Wes Anderson | United States, | 2014 |
| 1063 |
|
The Ascent | Larisa Shepitko | Soviet Union, | 1977 |
| 1062 |
|
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese | Martin Scorsese | United States, | 2019 |
| 234 |
|
The Tin Drum | Volker Schlöndorff | Germany, | 1979 |
| 682 |
|
Investigation of a Citizen Above Suspicion | Elio Petri | Italy, | 1970 |
| 360 |
|
Symbiopsychotaxiplasm: Two Takes by William Greaves | William Greaves | United States, | |
| 363 |
|
Mouchette | Robert Bresson | France, | 1967 |
| 826 |
|
The New World | Terrence Malick | United States, | 2005 |
| 1058 |
|
The Irishman | Martin Scorsese | United States, | 2019 |
| 1055 |
|
Girlfriends | Claudia Weill | United States, | 1978 |
| 546 |
|
Five Easy Pieces | Bob Rafelson | United States, | 1970 |
| 558 |
|
Topsy-Turvy | Mike Leigh | United Kingdom, | 1999 |
| 725 |
|
Eraserhead | David Lynch | United States, | 1977 |
| 557 |
|
The Times of Harvey Milk | Robert Epstein | United States, | 1984 |
| 1042 |
|
Beau travail | Claire Denis | France, | 1999 |
| 1021 |
|
Show Boat | James Whale | United States, | 1936 |
| 662 |
|
Safety Last! | Fred Newmeyer and Sam Taylor | United States, | 1923 |
| 1038 |
|
Marriage Story | Noah Baumbach | United States, | 2019 |
| 45 |
|
Taste of Cherry | Abbas Kiarostami | Iran, | 1997 |
| 103 |
|
The Lady Eve | Preston Sturges | United States, | 1941 |
| 596 |
|
Three Outlaw Samurai | Hideo Gosha | Japan, | 1964 |
| 1033 |
|
The Cameraman | Edward Sedgwick | United States, | 1928 |
| 929 |
|
Female Trouble | John Waters | United States, | 1974 |
| 1030 |
|
Scorsese Shorts | Martin Scorsese | United States, | |
| 1028 |
|
Dance, Girl, Dance | Dorothy Arzner | United States, | 1940 |
| 1029 |
|
Husbands | John Cassavetes | United States, | 1970 |
| 782 |
|
The Apu Trilogy | |||
| 1024 |
|
Destry Rides Again | George Marshall | United States, | 1939 |
| 503 |
|
Lola Montès | Max Ophuls | Germany, | 1955 |
| 1022 |
|
The Prince of Tides | Barbra Streisand | United States, | 1991 |
| 880 |
|
They Live by Night | Nicholas Ray | United States, | 1948 |
| 146 |
|
The Cranes Are Flying | Mikhail Kalatozov | Soviet Union, | 1957 |
| 768 |
|
The French Lieutenant’s Woman | Karel Reisz | United Kingdom, | 1981 |
| 600 |
|
Anatomy of a Murder | Otto Preminger | United States, | 1959 |
| 425 |
|
Antonio Gaudí | Hiroshi Teshigahara | Japan, | 1984 |
| 1014 |
|
Roma | Alfonso Cuarón | United States, | 2018 |
| 713 |
|
The Essential Jacques Demy | |||
| 1011 |
|
Fail Safe | Sidney Lumet | United States, | 1964 |
| 386 |
|
Sansho the Bailiff | Kenji Mizoguchi | Japan, | 1954 |
| 1009 |
|
Holiday | George Cukor | United States, | 1938 |
| 864 |
|
Being There | Hal Ashby | United States, | 1979 |
| 387 |
|
La Jetée/Sans Soleil | |||
| 1004 |
|
Now, Voyager | Irving Rapper | United States, | 1942 |
| 647 |
|
On the Waterfront | Elia Kazan | United States, | 1954 |
| 1000 |
|
Godzilla: The Showa-Era Films, 1954–1975 | |||
| 776 |
|
Moonrise Kingdom | Wes Anderson | United States, | 2012 |
| 742 |
|
The Palm Beach Story | Preston Sturges | United States, | 1942 |
| 856 |
|
The Before Trilogy | |||
| 625 |
|
Eating Raoul | Paul Bartel | United States, | 1982 |
| 995 |
|
Polyester | John Waters | United States, | 1981 |
|
The Koker Trilogy | ||||
| 19 |
|
Shock Corridor | Samuel Fuller | United States, | 1963 |
| 18 |
|
The Naked Kiss | Samuel Fuller | United States, | 1964 |
| 97 |
|
Do the Right Thing | Spike Lee | United States, | 1989 |
| 987 |
|
Klute | Alan J. Pakula | United States, | 1971 |
| 568 |
|
Kiss Me Deadly | Robert Aldrich | United States, | 1955 |
| 982 |
|
Hedwig and the Angry Inch | John Cameron Mitchell | United States, | 2001 |
| 979 |
|
Swing Time | George Stevens | United States, | 1936 |
| 54 |
|
For All Mankind | Al Reinert | United States, | 1989 |
| 974 |
|
The Heiress | William Wyler | United States, | 1949 |
| 336 |
|
Dazed and Confused | Richard Linklater | United States, | 1993 |
| 973 |
|
My Brilliant Career | Gillian Armstrong | Australia, | 1979 |
| 651 |
|
Badlands | Terrence Malick | United States, | 1973 |
| 970 |
|
A Face in the Crowd | Elia Kazan | United States, | 1957 |
| 297 |
|
Au hasard Balthazar | Robert Bresson | France, | 1966 |
| 70 |
|
The Last Temptation of Christ | Martin Scorsese | United States, | 1988 |
| 966 |
|
Detour | Edgar G. Ulmer | United States, | 1945 |
| 963 |
|
To Sleep with Anger | Charles Burnett | United States, | 1990 |
| 962 |
|
Death in Venice | Luchino Visconti | Italy, | 1971 |
| 309 |
|
Ugetsu | Kenji Mizoguchi | Japan, | 1953 |
| 960 |
|
La vérité | Henri-Georges Clouzot | France, | 1960 |
| 39 |
|
Tokyo Drifter | Seijun Suzuki | Japan, | 1966 |
| 956 |
|
24 Frames | Abbas Kiarostami | Iran, | 2017 |
| 951 |
|
True Stories | David Byrne | United States, | 1986 |
| 412 |
|
Sawdust and Tinsel | Ingmar Bergman | Sweden, | 1953 |
| 955 |
|
Panique | Julien Duvivier | France, | 1946 |
| 870 |
|
Othello | Orson Welles | United States, | 1952 |
| 952 |
|
The Magnificent Ambersons | Orson Welles | United States, | 1942 |
| 91 |
|
The Blob | Irvin S. Yeaworth Jr. | United States, | 1958 |
| 679 |
|
Zatoichi: The Blind Swordsman | |||
| 942 |
|
The Tree of Life | Terrence Malick | United States, | 2011 |
| 947 |
|
Shampoo | Hal Ashby | United States, | 1975 |
| 677 |
|
The Uninvited | Lewis Allen | United States, | 1944 |
| 65 |
|
Rushmore | Wes Anderson | United States, | 1998 |
| 945 |
|
A Raisin in the Sun | Daniel Petrie | United States, | 1961 |
| 114 |
|
My Man Godfrey | Gregory La Cava | United States, | 1936 |
| 944 |
|
Cold Water | Olivier Assayas | France, | 1994 |
| 941 |
|
Smithereens | Susan Seidelman | United States, | 1982 |
| 938 |
|
sex, lies, and videotape | Steven Soderbergh | United States, | 1989 |
| 288 |
|
F for Fake | Orson Welles | United States, | 1975 |
| 915 |
|
King of Jazz | John Murray Anderson | United States, | 1930 |
| 300 |
|
The Life Aquatic with Steve Zissou | Wes Anderson | United States, | 2004 |
| 909 |
|
Night of the Living Dead | George A. Romero | United States, | 1968 |
| 432 |
|
Mishima: A Life in Four Chapters | Paul Schrader | United States, | 1985 |
| 925 |
|
Midnight Cowboy | John Schlesinger | United States, | 1969 |
| 326 |
|
Metropolitan | Whit Stillman | United States, | 1990 |
| 917 |
|
The Awful Truth | Leo McCarey | United States, | 1937 |
| 671 |
|
La Cage aux Folles | Edouard Molinaro | France, | 1978 |
| 913 |
|
The Age of Innocence | Martin Scorsese | United States, | 1993 |
| 339 |
|
Yi Yi | Edward Yang | Taiwan, | 2000 |
| 563 |
|
Something Wild | Jonathan Demme | United States, | 1986 |
| 397 |
|
Ivan’s Childhood | Andrei Tarkovsky | Soviet Union, | 1962 |
| 657 |
|
3:10 to Yuma | Delmer Daves | United States, | 1957 |
| 167 |
|
The Complete Monterey Pop Festival | |||
| 280 |
|
The Sword of Doom | Kihachi Okamoto | Japan, | 1966 |
| 450 |
|
Bottle Rocket | Wes Anderson | United States, | 1996 |
| 902 |
|
Desert Hearts | Donna Deitch | United States, | 1985 |
| 903 |
|
Jabberwocky | Terry Gilliam | United Kingdom, | 1977 |
| 901 |
|
The Philadelphia Story | George Cukor | United States, | 1940 |
| 63 |
|
Carnival of Souls | Herk Harvey | United States, | 1962 |
| 896 |
|
The Lure | Agnieszka Smoczyńska | Poland, | 2015 |
| 893 |
|
Certain Women | Kelly Reichardt | United States, | 2016 |
| 692 |
|
It’s a Mad, Mad, Mad, Mad World | Stanley Kramer | United States, | 1963 |
| 43 |
|
Lord of the Flies | Peter Brook | United Kingdom, | 1963 |
| 573 |
|
The Music Room | Satyajit Ray | India, | 1958 |
| 888 |
|
Stalker | Andrei Tarkovsky | Soviet Union, | 1979 |
| 804 |
|
A Brighter Summer Day | Edward Yang | Taiwan, | 1991 |
| 764 |
|
The Fisher King | Terry Gilliam | United States, | 1991 |
| 35 |
|
Diabolique | Henri-Georges Clouzot | France, | 1955 |
| 591 |
|
12 Angry Men | Sidney Lumet | United States, | 1957 |
| 868 |
|
Tampopo | Juzo Itami | Japan, | 1985 |
| 664 |
|
The Life of Oharu | Kenji Mizoguchi | Japan, | 1952 |
| 164 |
|
Solaris | Andrei Tarkovsky | Soviet Union, | 1972 |
| 841 |
|
Lone Wolf and Cub | |||
| 863 |
|
Multiple Maniacs | John Waters | United States, | 1970 |
| 860 |
|
Mildred Pierce | Michael Curtiz | United States, | 1945 |
| 577 |
|
Cul-de-sac | Roman Polanski | United Kingdom, | 1966 |
| 849 |
|
His Girl Friday | Howard Hawks | United States, | 1940 |
| 48 |
|
Black Orpheus | Marcel Camus | France, | 1959 |
| 157 |
|
The Royal Tenenbaums | Wes Anderson | United States, | 2001 |
| 845 |
|
The Squid and the Whale | Noah Baumbach | United States, | 2005 |
| 843 |
|
Punch-Drunk Love | Paul Thomas Anderson | United States, | 2002 |
| 842 |
|
Akira Kurosawa’s Dreams | Akira Kurosawa | Japan, | 1990 |
| 769 |
|
Day for Night | François Truffaut | France, | 1973 |
| 786 |
|
Dont Look Back | D. A. Pennebaker | United States, | 1967 |
|
The Emigrants/The New Land | ||||
| 833 |
|
Cat People | Jacques Tourneur | United States, | 1942 |
|
The Samurai Trilogy | ||||
| 823 |
|
The In-Laws | Arthur Hiller | United States, | 1979 |
| 821 |
|
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | United States, | 1964 |
| 789 |
|
Burroughs: The Movie | Howard Brookner | United States, | 1983 |
| 795 |
|
Gilda | Charles Vidor | United States, | 1946 |
| 819 |
|
Here Comes Mr. Jordan | Alexander Hall | United States, | 1941 |
| 382 |
|
Overlord | Stuart Cooper | United Kingdom, | 1975 |
| 98 |
|
L’avventura | Michelangelo Antonioni | Italy, | 1960 |
| 810 |
|
In a Lonely Place | Nicholas Ray | United States, | 1950 |
| 545 |
|
Easy Rider | Dennis Hopper | United States, | 1969 |
| 806 |
|
Only Angels Have Wings | Howard Hawks | United States, | 1939 |
| 726 |
|
Macbeth | Roman Polanski | United Kingdom, | 1971 |
| 736 |
|
It Happened One Night | Frank Capra | United States, | 1934 |
| 738 |
|
Tootsie | Sydney Pollack | United States, | 1982 |
| 123 |
|
Grey Gardens | David Maysles, Albert Maysles, Ellen Hovde, and Muffie Meyer | United States, | 1976 |
| 788 |
|
Speedy | Ted Wilde | United States, | 1928 |