Pier Paolo Pasolini
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
|
Pasolini 101 | ||||
| 631 |
|
Trilogy of Life | |||
| 17 |
|
Salò, or The 120 Days of Sodom | Pier Paolo Pasolini | Italy, | 1976 |
| 634 |
|
Arabian Nights | Pier Paolo Pasolini | Italy, | 1974 |
| 633 |
|
The Canterbury Tales | Pier Paolo Pasolini | Italy, | 1972 |
| 632 |
|
The Decameron | Pier Paolo Pasolini | Italy, | 1971 |
|
Medea | Pier Paolo Pasolini | Italy, | 1969 | |
|
Porcile | Pier Paolo Pasolini | Italy, | 1969 | |
| 1013 |
|
Teorema | Pier Paolo Pasolini | Italy, | 1968 |
|
Oedipus Rex | Pier Paolo Pasolini | Italy, | 1967 | |
|
The Hawks and the Sparrows | Pier Paolo Pasolini | Italy, | 1966 | |
|
The Gospel According to Matthew | Pier Paolo Pasolini | Italy, | 1964 | |
|
Love Meetings | Pier Paolo Pasolini | Italy, | 1964 | |
| 236 |
|
Mamma Roma | Pier Paolo Pasolini | Italy, | 1962 |
|
Accattone | Pier Paolo Pasolini | Italy, | 1961 |