Pier Paolo Pasolini
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.
Spine # | Title | Director | Country | Year | |
---|---|---|---|---|---|
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Pasolini 101 | ||||
631 |
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Trilogy of Life | |||
17 |
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Salò, or The 120 Days of Sodom | Pier Paolo Pasolini | Italy, | 1976 |
634 |
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Arabian Nights | Pier Paolo Pasolini | Italy, | 1974 |
633 |
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The Canterbury Tales | Pier Paolo Pasolini | Italy, | 1972 |
632 |
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The Decameron | Pier Paolo Pasolini | Italy, | 1971 |
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Medea | Pier Paolo Pasolini | Italy, | 1969 | |
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Porcile | Pier Paolo Pasolini | Italy, | 1969 | |
1013 |
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Teorema | Pier Paolo Pasolini | Italy, | 1968 |
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Oedipus Rex | Pier Paolo Pasolini | Italy, | 1967 | |
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The Hawks and the Sparrows | Pier Paolo Pasolini | Italy, | 1966 | |
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The Gospel According to Matthew | Pier Paolo Pasolini | Italy, | 1964 | |
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Love Meetings | Pier Paolo Pasolini | Italy, | 1964 | |
236 |
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Mamma Roma | Pier Paolo Pasolini | Italy, | 1962 |
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Accattone | Pier Paolo Pasolini | Italy, | 1961 |