New American Cinema
In the midsixties, a new generation of directors rose to prominence, both within and outside of the studio system, leading to a renaissance that transformed American filmmaking.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 1318 |
|
Alice Doesn’t Live Here Anymore | Martin Scorsese | United States, | 1974 |
| 546 |
|
Five Easy Pieces | Bob Rafelson | United States, | 1970 |
| 1312 |
|
Lenny | Bob Fosse | United States, | 1974 |
| 1300 |
|
Network | Sidney Lumet | United States, | 1976 |
| 253 |
|
A Woman Under the Influence | John Cassavetes | United States, | 1974 |
| 1270 |
|
Carnal Knowledge | Mike Nichols | United States, | 1971 |
| 897 |
|
Barry Lyndon | Stanley Kubrick | United States, | 1975 |
| 1267 |
|
Sorcerer | William Friedkin | United States, | 1977 |
| 1255 |
|
Night Moves | Arthur Penn | United States, | 1975 |
| 1241 |
|
Paper Moon | Peter Bogdanovich | United States, | 1973 |
| 1224 |
|
Pat Garrett and Billy the Kid | Sam Peckinpah | United States, | 1973 |
| 156 |
|
Hearts and Minds | Peter Davis | United States, | 1974 |
| 827 |
|
McCabe & Mrs. Miller | Robert Altman | United States, | 1971 |
| 409 |
|
Days of Heaven | Terrence Malick | United States, | 1978 |
| 1198 |
|
Mean Streets | Martin Scorsese | United States, | 1973 |
| 549 |
|
The Last Picture Show | Peter Bogdanovich | United States, | 1971 |
| 1179 |
|
Targets | Peter Bogdanovich | United States, | 1968 |
| 562 |
|
Blow Out | Brian De Palma | United States, | 1981 |
| 1134 |
|
Raging Bull | Martin Scorsese | United States, | 1980 |
| 360 |
|
Symbiopsychotaxiplasm: Two Takes by William Greaves | William Greaves | United States, | 1968 |
| 1030 |
|
Scorsese Shorts | Martin Scorsese | United States, | |
| 724 |
|
All That Jazz | Bob Fosse | United States, | 1979 |
| 89 |
|
Sisters | Brian De Palma | United States, | 1973 |
| 947 |
|
Shampoo | Hal Ashby | United States, | 1975 |
| 182 |
|
Straw Dogs | Sam Peckinpah | United States, | 1971 |
| 869 |
|
Rumble Fish | Francis Ford Coppola | United States, | 1983 |
| 864 |
|
Being There | Hal Ashby | United States, | 1979 |
| 821 |
|
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | United States, | 1964 |
| 545 |
|
Easy Rider | Dennis Hopper | United States, | 1969 |
| 494 |
|
Downhill Racer | Michael Ritchie | United States, | 1969 |
| 770 |
|
Dressed to Kill | Brian De Palma | United States, | 1980 |
| 475 |
|
The Friends of Eddie Coyle | Peter Yates | United States, | 1973 |
| 658 |
|
Medium Cool | Haskell Wexler | United States, | 1969 |
| 651 |
|
Badlands | Terrence Malick | United States, | 1973 |
| 414 |
|
Two-Lane Blacktop | Monte Hellman | United States, | 1971 |
| 636 |
|
Heaven’s Gate | Michael Cimino | United States, | 1980 |
| 230 |
|
3 Women | Robert Altman | United States, | 1977 |
|
America Lost and Found: The BBS Story | ||||
| 254 |
|
The Killing of a Chinese Bookie | John Cassavetes | United States, | 1976 |
| 683 |
|
Nashville | Robert Altman | United States, | 1975 |
| 630 |
|
Rosemary’s Baby | Roman Polanski | United States, | 1968 |
| 252 |
|
Faces | John Cassavetes | United States, | 1968 |