New German Cinema
In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 198 |
|
Ali: Fear Eats the Soul | Rainer Werner Fassbinder | Germany, | 1974 |
| 793 |
|
The American Friend | Wim Wenders | Germany, | 1977 |
| 411 |
|
Berlin Alexanderplatz | Rainer Werner Fassbinder | Germany, | 1980 |
| 740 |
|
The Bitter Tears of Petra von Kant | Rainer Werner Fassbinder | West Germany, | 1972 |
| 192 |
|
Coup de grâce | Volker Schlöndorff | Germany, | 1976 |
|
Eclipse Series 39: Early Fassbinder | ||||
| 177 |
|
The Lost Honor of Katharina Blum | Volker Schlöndorff and Margarethe von Trotta | Germany, | 1975 |
| 758 |
|
The Merchant of Four Seasons | Rainer Werner Fassbinder | Germany, | 1971 |
| 234 |
|
The Tin Drum | Volker Schlöndorff | Germany, | 1979 |
| 813 |
|
Wim Wenders: The Road Trilogy | |||
| 598 |
|
World on a Wire | Rainer Werner Fassbinder | Germany, | 1973 |
| 279 |
|
Young Törless | Volker Schlöndorff | Germany, | 1966 |