|
|
|
The Age of the Medici
|
Roberto Rossellini
|
Italy,
|
1973
|
|
|
|
All Night Long
|
Basil Dearden
|
United Kingdom,
|
1962
|
|
|
|
The American Soldier
|
Rainer Werner Fassbinder
|
Germany,
|
1970
|
|
|
|
El amor brujo
|
Carlos Saura
|
Spain,
|
1986
|
|
|
|
Androcles and the Lion
|
Chester Erskine
|
United Kingdom,
|
1952
|
|
|
|
. . . And the Pursuit of Happiness
|
Louis Malle
|
France,
|
1986
|
|
|
|
Apart from You
|
Mikio Naruse
|
Japan,
|
1933
|
|
|
|
Ariel
|
Aki Kaurismäki
|
Finland,
|
1988
|
|
|
|
Army
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
|
Babo 73
|
Robert Downey Sr.
|
United States,
|
1964
|
|
|
|
The Baron of Arizona
|
Samuel Fuller
|
United States,
|
1950
|
|
|
|
Beware of a Holy Whore
|
Rainer Werner Fassbinder
|
Germany,
|
1970
|
|
|
|
Beyond the Law
|
Norman Mailer
|
United States,
|
1968
|
|
|
|
Black Panthers
|
Agnès Varda
|
France,
|
1970
|
|
|
|
Black River
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
|
Black Sun
|
Koreyoshi Kurahara
|
Japan,
|
1964
|
|
|
|
Blaise Pascal
|
Roberto Rossellini
|
Italy,
|
1972
|
|
|
|
Blood Wedding
|
Carlos Saura
|
Spain,
|
1981
|
|
|
|
Caesar and Cleopatra
|
Gabriel Pascal
|
United Kingdom,
|
1945
|
|
|
|
Calcutta
|
Louis Malle
|
France,
|
1969
|
|
|
|
Capricious Summer
|
Jiří Menzel
|
Czechoslovakia,
|
1968
|
|
|
|
Carmen
|
Carlos Saura
|
Spain,
|
1983
|
|
|
|
Cartesius
|
Roberto Rossellini
|
Italy,
|
1974
|
|
|
|
Chafed Elbows
|
Robert Downey Sr.
|
United States,
|
1966
|
|
|
|
Chains
|
Raffaello Matarazzo
|
Italy,
|
1949
|
|
|
|
La chambre
|
Chantal Akerman
|
United States,
|
1972
|
|
|
|
Le ciel est à vous
|
Jean Grémillon
|
France,
|
1944
|
|
|
|
A Colt Is My Passport
|
Takashi Nomura
|
Japan,
|
1967
|
|
|
|
Come On Children
|
Allan King
|
Canada,
|
1972
|
|
|
|
The Count of the Old Town
|
Edvin Adolphson and Sigurd Wallén
|
Sweden,
|
1935
|
|
|
|
Crisis
|
Ingmar Bergman
|
Sweden,
|
1946
|
|
|
|
Cruel Gun Story
|
Takumi Furukawa
|
Japan,
|
1964
|
|
|
|
David Golder
|
Julien Duvivier
|
France,
|
1930
|
|
|
|
Désiré
|
Sacha Guitry
|
France,
|
1937
|
|
|
|
Documenteur
|
Agnès Varda
|
France,
|
1981
|
|
|
|
Dollar
|
Gustaf Molander
|
Sweden,
|
1938
|
|
|
|
Douce
|
Claude Autant-Lara
|
France,
|
1943
|
|
|
|
Dragnet Girl
|
Yasujiro Ozu
|
Japan,
|
1933
|
|
|
|
The Drum
|
Zoltán Korda
|
United Kingdom,
|
1938
|
|
|
|
Dying at Grace
|
Allan King
|
Canada,
|
2003
|
|
|
|
Early Spring
|
Yasujiro Ozu
|
Japan,
|
1956
|
|
|
|
Eclipse Series 10: Silent Ozu—Three Family Comedies
|
|
|
|
|
|
|
Eclipse Series 11: Larisa Shepitko
|
|
|
|
|
|
|
Eclipse Series 12: Aki Kaurismäki’s Proletariat Trilogy
|
|
|
|
|
|
|
Eclipse Series 13: Kenji Mizoguchi’s Fallen Women
|
|
|
|
|
|
|
Eclipse Series 14: Rossellini’s History Films—Renaissance and Enlightenment
|
|
|
|
|
|
|
Eclipse Series 15: Travels with Hiroshi Shimizu
|
|
|
|
|
|
|
Eclipse Series 16: Alexander Korda’s Private Lives
|
|
|
|
|
|
|
Eclipse Series 17: Nikkatsu Noir
|
|
|
|
|
|
|
Eclipse Series 18: Dušan Makavejev—Free Radical
|
|
|
|
|
|
|
Eclipse Series 19: Chantal Akerman in the Seventies
|
|
|
|
|
|
|
Eclipse Series 1: Early Bergman
|
|
|
|
|
|
|
Eclipse Series 20: George Bernard Shaw on Film
|
|
|
|
|
|
|
Eclipse Series 21: Oshima’s Outlaw Sixties
|
|
|
|
|
|
|
Eclipse Series 22: Presenting Sacha Guitry
|
|
|
|
|
|
|
Eclipse Series 23: The First Films of Akira Kurosawa
|
|
|
|
|
|
|
Eclipse Series 24: The Actuality Dramas of Allan King
|
|
|
|
|
|
|
Eclipse Series 25: Basil Dearden’s London Underground
|
|
|
|
|
|
|
Eclipse Series 26: Silent Naruse
|
|
|
|
|
|
|
Eclipse Series 27: Raffaello Matarazzo’s Runaway Melodramas
|
|
|
|
|
|
|
Eclipse Series 28: The Warped World of Koreyoshi Kurahara
|
|
|
|
|
|
|
Eclipse Series 29: Aki Kaurismäki’s Leningrad Cowboys
|
|
|
|
|
|
|
Eclipse Series 2: The Documentaries of Louis Malle
|
|
|
|
|
|
|
Eclipse Series 30: Sabu!
|
|
|
|
|
|
|
Eclipse Series 31: Three Popular Films by Jean-Pierre Gorin
|
|
|
|
|
|
|
Eclipse Series 32: Pearls of the Czech New Wave
|
|
|
|
|
|
|
Eclipse Series 33: Up All Night with Robert Downey Sr.
|
|
|
|
|
|
|
Eclipse Series 34: Jean Grémillon During the Occupation
|
|
|
|
|
|
|
Eclipse Series 35: Maidstone and Other Films by Norman Mailer
|
|
|
|
|
|
|
Eclipse Series 36: Three Wicked Melodramas from Gainsborough Pictures
|
|
|
|
|
|
|
Eclipse Series 37: When Horror Came to Shochiku
|
|
|
|
|
|
|
Eclipse Series 38: Masaki Kobayashi Against the System
|
|
|
|
|
|
|
Eclipse Series 39: Early Fassbinder
|
|
|
|
|
|
|
Eclipse Series 3: Late Ozu
|
|
|
|
|
|
|
Eclipse Series 40: Late Ray
|
|
|
|
|
|
|
Eclipse Series 41: Kinoshita and World War II
|
|
|
|
|
|
|
Eclipse Series 42: Silent Ozu—Three Crime Dramas
|
|
|
|
|
|
|
Eclipse Series 43: Agnès Varda in California
|
|
|
|
|
|
|
Eclipse Series 44: Julien Duvivier in the Thirties
|
|
|
|
|
|
|
Eclipse Series 45: Claude Autant-Lara—Four Romantic Escapes from Occupied France
|
|
|
|
|
|
|
Eclipse Series 46: Ingrid Bergman’s Swedish Years
|
|
|
|
|
|
|
Eclipse Series 4: Raymond Bernard
|
|
|
|
|
|
|
Eclipse Series 5: The First Films of Samuel Fuller
|
|
|
|
|
|
|
Eclipse Series 6: Carlos Saura’s Flamenco Trilogy
|
|
|
|
|
|
|
Eclipse Series 7: Postwar Kurosawa
|
|
|
|
|
|
|
Eclipse Series 8: Lubitsch Musicals
|
|
|
|
|
|
|
Eclipse Series 9: The Delirious Fictions of William Klein
|
|
|
|
|
|
|
Elephant Boy
|
Robert Flaherty and Zoltán Korda
|
United Kingdom,
|
1937
|
|
|
|
The End of Summer
|
Yasujiro Ozu
|
Japan,
|
1961
|
|
|
|
An Enemy of the People
|
Satyajit Ray
|
India,
|
1989
|
|
|
|
Equinox Flower
|
Yasujiro Ozu
|
Japan,
|
1958
|
|
|
|
Every-Night Dreams
|
Mikio Naruse
|
Japan,
|
1933
|
|
|
|
Flunky, Work Hard
|
Mikio Naruse
|
Japan,
|
1931
|
|
|
|
Genocide
|
Kazui Nihonmatsu
|
Japan,
|
1968
|
|
|
|
God’s Country
|
Louis Malle
|
United States,
|
1985
|
|
|
|
Gods of the Plague
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
|
Goke, Body Snatcher from Hell
|
Hajime Sato
|
Japan,
|
1968
|
|
|
|
The Home and the World
|
Satyajit Ray
|
India,
|
1984
|
|
|
|
Hotel Monterey
|
Chantal Akerman
|
United States,
|
1972
|
|
|
|
Humain, trop humain
|
Louis Malle
|
France,
|
1973
|
|
|
|
I Am Waiting
|
Koreyoshi Kurahara
|
Japan,
|
1957
|
|
|
|
I Hate But Love
|
Koreyoshi Kurahara
|
Japan,
|
1962
|
|
|
|
I Live in Fear
|
Akira Kurosawa
|
Japan,
|
1955
|
|
|
|
The Inheritance
|
Masaki Kobayashi
|
Japan,
|
1962
|
|
|
|
Innocence Unprotected
|
Dušan Makavejev
|
Yugoslavia,
|
1968
|
|
|
|
Intermezzo
|
Gustaf Molander
|
Sweden,
|
1936
|
|
|
|
Intimidation
|
Koreyoshi Kurahara
|
Japan,
|
1960
|
|
|
|
I Shot Jesse James
|
Samuel Fuller
|
United States,
|
1949
|
|
|
|
I Was Born, But . . .
|
Yasujiro Ozu
|
Japan,
|
1932
|
|
|
|
I Will Buy You
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
|
Japanese Girls at the Harbor
|
Hiroshi Shimizu
|
Japan,
|
1933
|
|
|
|
Japanese Summer: Double Suicide
|
Nagisa Oshima
|
Japan,
|
1967
|
|
|
|
Je tu il elle
|
Chantal Akerman
|
Belgium,
|
1975
|
|
|
|
The Joke
|
Jaromil Jireš
|
Czechoslovakia,
|
1969
|
|
|
|
Jubilation Street
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
|
June Night
|
Per Lindberg
|
Sweden,
|
1940
|
|
|
|
Jungle Book
|
Zoltán Korda
|
United Kingdom,
|
1942
|
|
|
|
Katzelmacher
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
|
Late Autumn
|
Yasujiro Ozu
|
Japan,
|
1960
|
|
|
|
The League of Gentlemen
|
Basil Dearden
|
United Kingdom,
|
1960
|
|
|
|
Leningrad Cowboys Go America
|
Aki Kaurismäki
|
Finland,
|
1989
|
|
|
|
Leningrad Cowboys Meet Moses
|
Aki Kaurismäki
|
Finland,
|
1994
|
|
|
|
Lettres d’amour
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
|
Lions Love (. . . and Lies)
|
Agnès Varda
|
France,
|
1969
|
|
|
|
The Living Magoroku
|
Keisuke Kinoshita
|
Japan,
|
1943
|
|
|
|
The Living Skeleton
|
Hiroshi Matsuno
|
Japan,
|
1968
|
|
|
|
Love Affair, or the Case of the Missing Switchboard Operator
|
Dušan Makavejev
|
Yugoslavia,
|
1967
|
|
|
|
Love Is Colder Than Death
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
|
The Love Parade
|
Ernst Lubitsch
|
United States,
|
1929
|
|
|
|
Lumière d’été
|
Jean Grémillon
|
France,
|
1943
|
|
|
|
Madonna of the Seven Moons
|
Arthur Crabtree
|
United Kingdom,
|
1945
|
|
|
|
Maidstone
|
Norman Mailer
|
United States,
|
1970
|
|
|
|
Major Barbara
|
Gabriel Pascal
|
United Kingdom,
|
1941
|
|
|
|
The Man in Grey
|
Leslie Arliss
|
United Kingdom,
|
1943
|
|
|
|
Man Is Not a Bird
|
Dušan Makavejev
|
Yugoslavia,
|
1965
|
|
|
|
Le mariage de Chiffon
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
|
A Married Couple
|
Allan King
|
Canada,
|
1969
|
|
|
|
The Masseurs and a Woman
|
Hiroshi Shimizu
|
Japan,
|
1938
|
|
|
|
The Match Factory Girl
|
Aki Kaurismäki
|
Finland,
|
1990
|
|
|
|
Memory for Max, Claire, Ida and Company
|
Allan King
|
Canada,
|
2005
|
|
|
|
The Men Who Tread on the Tiger’s Tail
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
|
Les misérables
|
Raymond Bernard
|
France,
|
1934
|
|
|
|
The Model Couple
|
William Klein
|
France,
|
1977
|
|
|
|
Monte Carlo
|
Ernst Lubitsch
|
United States,
|
1930
|
|
|
|
Morning for the Osone Family
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
|
The Most Beautiful
|
Akira Kurosawa
|
Japan,
|
1944
|
|
|
|
Mr. Freedom
|
William Klein
|
France,
|
1969
|
|
|
|
Mr. Thank You
|
Hiroshi Shimizu
|
Japan,
|
1936
|
|
|
|
Mur Murs
|
Agnès Varda
|
France,
|
1981
|
|
|
|
My Crasy Life
|
Jean-Pierre Gorin
|
United States,
|
1992
|
|
|
|
News from Home
|
Chantal Akerman
|
France,
|
1976
|
|
|
|
No Blood Relation
|
Mikio Naruse
|
Japan,
|
1932
|
|
|
|
Nobody’s Children
|
Raffaello Matarazzo
|
Italy,
|
1952
|
|
|
|
No More Excuses
|
Robert Downey Sr.
|
United States,
|
1968
|
|
|
|
No Regrets for Our Youth
|
Akira Kurosawa
|
Japan,
|
1946
|
|
|
|
One Hour with You
|
Ernst Lubitsch
|
United States,
|
1932
|
|
|
|
One Wonderful Sunday
|
Akira Kurosawa
|
Japan,
|
1947
|
|
|
|
Ornamental Hairpin
|
Hiroshi Shimizu
|
Japan,
|
1941
|
|
|
|
Osaka Elegy
|
Kenji Mizoguchi
|
Japan,
|
1936
|
|
|
|
Passing Fancy
|
Yasujiro Ozu
|
Japan,
|
1933
|
|
|
|
The Pearls of the Crown
|
Sacha Guitry
|
France,
|
1937
|
|
|
|
Pearls of the Deep
|
Jiří Menzel, Věra Chytilová, Jaromil Jireš, Jan Němec, and Evald Schorm
|
Czechoslovakia,
|
1966
|
|
|
|
Phantom India
|
Louis Malle
|
France,
|
1969
|
|
|
|
Place de la République
|
Louis Malle
|
France,
|
1974
|
|
|
|
Pleasures of the Flesh
|
Nagisa Oshima
|
Japan,
|
1965
|
|
|
|
Poil de carotte
|
Julien Duvivier
|
France,
|
1932
|
|
|
|
Port of Call
|
Ingmar Bergman
|
Sweden,
|
1948
|
|
|
|
Port of Flowers
|
Keisuke Kinoshita
|
Japan,
|
1943
|
|
|
|
Poto and Cabengo
|
Jean-Pierre Gorin
|
United States,
|
1980
|
|
|
|
The Private Life of Don Juan
|
Alexander Korda
|
United Kingdom,
|
1934
|
|
|
|
The Private Life of Henry VIII
|
Alexander Korda
|
United Kingdom,
|
1933
|
|
|
|
Putney Swope
|
Robert Downey Sr.
|
United States,
|
1969
|
|
|
|
Quadrille
|
Sacha Guitry
|
France,
|
1938
|
|
|
|
Rembrandt
|
Alexander Korda
|
United Kingdom,
|
1936
|
|
|
|
Remorques
|
Jean Grémillon
|
France,
|
1941
|
|
|
|
Les rendez-vous d’Anna
|
Chantal Akerman
|
Belgium,
|
1978
|
|
|
|
A Report on the Party and Guests
|
Jan Němec
|
Czechoslovakia,
|
1966
|
|
|
|
Return of the Prodigal Son
|
Evald Schorm
|
Czechoslovakia,
|
1967
|
|
|
|
The Rise of Catherine the Great
|
Paul Czinner
|
United Kingdom,
|
1934
|
|
|
|
Routine Pleasures
|
Jean-Pierre Gorin
|
United States,
|
1986
|
|
|
|
Rusty Knife
|
Toshio Masuda
|
Japan,
|
1958
|
|
|
|
Sanshiro Sugata
|
Akira Kurosawa
|
Japan,
|
1943
|
|
|
|
Sanshiro Sugata, Part Two
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
|
Sapphire
|
Basil Dearden
|
United Kingdom,
|
1959
|
|
|
|
Scandal
|
Akira Kurosawa
|
Japan,
|
1950
|
|
|
|
Shadows in Paradise
|
Aki Kaurismäki
|
Finland,
|
1986
|
|
|
|
Sing a Song of Sex
|
Nagisa Oshima
|
Japan,
|
1967
|
|
|
|
Sisters of the Gion
|
Kenji Mizoguchi
|
Japan,
|
1936
|
|
|
|
The Smiling Lieutenant
|
Ernst Lubitsch
|
United States,
|
1931
|
|
|
|
The Steel Helmet
|
Samuel Fuller
|
United States,
|
1951
|
|
|
|
The Story of a Cheat
|
Sacha Guitry
|
France,
|
1936
|
|
|
|
The Stranger
|
Satyajit Ray
|
India,
|
1991
|
|
|
|
Street of Shame
|
Kenji Mizoguchi
|
Japan,
|
1956
|
|
|
|
Street Without End
|
Mikio Naruse
|
Japan,
|
1934
|
|
|
|
Sylvie et le fantôme
|
Claude Autant-Lara
|
France,
|
1946
|
|
|
|
Take Aim at the Police Van
|
Seijun Suzuki
|
Japan,
|
1960
|
|
|
|
La tête d’un homme
|
Julien Duvivier
|
France,
|
1933
|
|
|
|
That Night’s Wife
|
Yasujiro Ozu
|
Japan,
|
1930
|
|
|
|
The Idiot
|
Akira Kurosawa
|
Japan,
|
1951
|
|
|
|
The Thick-Walled Room
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
|
Thirst
|
Ingmar Bergman
|
Sweden,
|
1949
|
|
|
|
Thirst for Love
|
Koreyoshi Kurahara
|
Japan,
|
1967
|
|
|
|
Three Resurrected Drunkards
|
Nagisa Oshima
|
Japan,
|
1968
|
|
|
|
To Joy
|
Ingmar Bergman
|
Sweden,
|
1950
|
|
|
|
Tokyo Chorus
|
Yasujiro Ozu
|
Japan,
|
1931
|
|
|
|
Tokyo Twilight
|
Yasujiro Ozu
|
Japan,
|
1957
|
|
|
|
Torment
|
Alf Sjöberg
|
Sweden,
|
1944
|
|
|
|
Tormento
|
Raffaello Matarazzo
|
Italy,
|
1950
|
|
|
|
Total Balalaika Show
|
Aki Kaurismäki
|
Finland,
|
1994
|
|
|
|
Two Tons of Turquoise to Taos Tonight
|
Robert Downey Sr.
|
United States,
|
1975
|
|
|
|
Un carnet de bal
|
Julien Duvivier
|
France,
|
1937
|
|
|
|
Uncle Yanco
|
Agnès Varda
|
France,
|
1968
|
|
|
|
Victim
|
Basil Dearden
|
United Kingdom,
|
1961
|
|
|
|
Violence at Noon
|
Nagisa Oshima
|
Japan,
|
1966
|
|
|
|
Vive le Tour
|
Louis Malle
|
France,
|
1962
|
|
|
|
Walk Cheerfully
|
Yasujiro Ozu
|
Japan,
|
1930
|
|
|
|
Walpurgis Night
|
Gustaf Edgren
|
Sweden,
|
1935
|
|
|
|
The Warped Ones
|
Koreyoshi Kurahara
|
Japan,
|
1960
|
|
|
|
Warrendale
|
Allan King
|
Canada,
|
1967
|
|
|
|
The White Angel
|
Raffaello Matarazzo
|
Italy,
|
1955
|
|
|
|
Who Are You, Polly Maggoo?
|
William Klein
|
France,
|
1966
|
|
|
|
The Wicked Lady
|
Leslie Arliss
|
United Kingdom,
|
1945
|
|
|
|
Wild 90
|
Norman Mailer
|
United States,
|
1968
|
|
|
|
Wings
|
Larisa Shepitko
|
Soviet Union,
|
1966
|
|
|
|
A Woman’s Face
|
Gustaf Molander
|
Sweden,
|
1938
|
|
|
|
Women of the Night
|
Kenji Mizoguchi
|
Japan,
|
1948
|
|
|
|
Wooden Crosses
|
Raymond Bernard
|
France,
|
1932
|
|
|
|
The X from Outer Space
|
Kazui Nihonmatsu
|
Japan,
|
1967
|