|
657
|
|
3:10 to Yuma
|
Delmer Daves
|
United States,
|
1957
|
|
591
|
|
12 Angry Men
|
Sidney Lumet
|
United States,
|
1957
|
|
5
|
|
The 400 Blows
|
François Truffaut
|
France,
|
1959
|
|
396
|
|
Ace in the Hole
|
Billy Wilder
|
United States,
|
1951
|
|
1046
|
|
After the Curfew
|
Usmar Ismail
|
Indonesia,
|
1954
|
|
1003
|
|
All About Eve
|
Joseph L. Mankiewicz
|
United States,
|
1950
|
|
95
|
|
All That Heaven Allows
|
Douglas Sirk
|
United States,
|
1955
|
|
817
|
|
Le amiche
|
Michelangelo Antonioni
|
Italy,
|
1955
|
|
600
|
|
Anatomy of a Murder
|
Otto Preminger
|
United States,
|
1959
|
|
77
|
|
And God Created Woman
|
Roger Vadim
|
France,
|
1956
|
|
|
|
Androcles and the Lion
|
Chester Erskine
|
United Kingdom,
|
1952
|
|
784
|
|
Aparajito
|
Satyajit Ray
|
India,
|
1956
|
|
785
|
|
Apur Sansar
|
Satyajit Ray
|
India,
|
1959
|
|
285
|
|
Ashes and Diamonds
|
Andrzej Wajda
|
Poland,
|
1958
|
|
847
|
|
The Asphalt Jungle
|
John Huston
|
United States,
|
1950
|
|
366
|
|
The Atomic Submarine
|
Spencer G. Bennet
|
United States,
|
1959
|
|
148
|
|
Ballad of a Soldier
|
Grigori Chukhrai
|
Soviet Union,
|
1959
|
|
645
|
|
The Ballad of Narayama
|
Keisuke Kinoshita
|
Japan,
|
1958
|
|
|
|
The Baron of Arizona
|
Samuel Fuller
|
United States,
|
1950
|
|
580
|
|
Le beau Serge
|
Claude Chabrol
|
France,
|
1958
|
|
|
|
Il bidone
|
Federico Fellini
|
Italy,
|
1955
|
|
113
|
|
Big Deal on Madonna Street
|
Mario Monicelli
|
Italy,
|
1958
|
|
507
|
|
Bigger Than Life
|
Nicholas Ray
|
United States,
|
1956
|
|
|
|
Bim, the Little Donkey
|
Albert Lamorisse
|
France,
|
1951
|
|
48
|
|
Black Orpheus
|
Marcel Camus
|
France,
|
1959
|
|
|
|
Black River
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
91
|
|
The Blob
|
Irvin S. Yeaworth Jr.
|
United States,
|
1958
|
|
150
|
|
Bob le flambeur
|
Jean-Pierre Melville
|
France,
|
1956
|
|
889
|
|
The Breaking Point
|
Michael Curtiz
|
United States,
|
1950
|
|
763
|
|
The Bridge
|
Bernhard Wicki
|
Germany,
|
1959
|
|
|
|
Brink of Life
|
Ingmar Bergman
|
Sweden,
|
1958
|
|
294
|
|
The Browning Version
|
Anthony Asquith
|
United Kingdom,
|
1951
|
|
|
|
Buchanan Rides Alone
|
Budd Boetticher
|
United States,
|
1958
|
|
379
|
|
The Burmese Harp
|
Kon Ichikawa
|
Japan,
|
1956
|
|
270
|
|
Casque d’or
|
Jacques Becker
|
France,
|
1952
|
|
322
|
|
The Complete Mr. Arkadin
|
Orson Welles
|
France,
|
1955
|
|
368
|
|
Corridors of Blood
|
Robert Day
|
United States,
|
1959
|
|
581
|
|
Les cousins
|
Claude Chabrol
|
France,
|
1959
|
|
146
|
|
The Cranes Are Flying
|
Mikhail Kalatozov
|
Soviet Union,
|
1957
|
|
295
|
|
Crazed Fruit
|
Kô Nakahira
|
Japan,
|
1956
|
|
427
|
|
Death of a Cyclist
|
Juan Antonio Bardem
|
Spain,
|
1955
|
|
|
|
Decision at Sundown
|
Budd Boetticher
|
United States,
|
1957
|
|
35
|
|
Diabolique
|
Henri-Georges Clouzot
|
France,
|
1955
|
|
222
|
|
Diary of a Country Priest
|
Robert Bresson
|
France,
|
1951
|
|
|
|
Dreams
|
Ingmar Bergman
|
Sweden,
|
1955
|
|
|
|
Early Spring
|
Yasujiro Ozu
|
Japan,
|
1956
|
|
240
|
|
Early Summer
|
Yasujiro Ozu
|
Japan,
|
1951
|
|
445
|
|
The Earrings of Madame de . . .
|
Max Ophuls
|
France,
|
1953
|
|
244
|
|
Elena and Her Men
|
Jean Renoir
|
France,
|
1956
|
|
335
|
|
Elevator to the Gallows
|
Louis Malle
|
France,
|
1958
|
|
398
|
|
Les enfants terribles
|
Jean-Pierre Melville
|
France,
|
1950
|
|
|
|
Equinox Flower
|
Yasujiro Ozu
|
Japan,
|
1958
|
|
674
|
|
Europe ’51
|
Roberto Rossellini
|
Italy,
|
1952
|
|
970
|
|
A Face in the Crowd
|
Elia Kazan
|
United States,
|
1957
|
|
451
|
|
Fanfan la Tulipe
|
Christian-Jaque
|
France,
|
1952
|
|
92
|
|
Fiend Without a Face
|
Arthur Crabtree
|
United Kingdom,
|
1958
|
|
378
|
|
Fires on the Plain
|
Kon Ichikawa
|
Japan,
|
1959
|
|
365
|
|
First Man into Space
|
Robert Day
|
United States,
|
1959
|
|
989
|
|
The Flavor of Green Tea over Rice
|
Yasujiro Ozu
|
Japan,
|
1952
|
|
|
|
Floating Weeds
|
Yasujiro Ozu
|
Japan,
|
1959
|
|
293
|
|
The Flowers of St. Francis
|
Roberto Rossellini
|
Italy,
|
1950
|
|
318
|
|
Forbidden Games
|
René Clément
|
France,
|
1952
|
|
954
|
|
Forty Guns
|
Samuel Fuller
|
United States,
|
1957
|
|
243
|
|
French Cancan
|
Jean Renoir
|
France,
|
1955
|
|
435
|
|
The Furies
|
Anthony Mann
|
United States,
|
1950
|
|
653
|
|
Gate of Hell
|
Teinosuke Kinugasa
|
Japan,
|
1953
|
|
463
|
|
Il Generale Della Rovere
|
Roberto Rossellini
|
Italy,
|
1959
|
|
283
|
|
A Generation
|
Andrzej Wajda
|
Poland,
|
1955
|
|
|
|
Gervaise
|
René Clément
|
France,
|
1956
|
|
594
|
|
Godzilla
|
Ishiro Honda
|
Japan,
|
1954
|
|
|
|
Godzilla Raids Again
|
Motoyoshi Oda
|
Japan,
|
1955
|
|
242
|
|
The Golden Coach
|
Jean Renoir
|
France,
|
1953
|
|
84
|
|
Good Morning
|
Yasujiro Ozu
|
Japan,
|
1959
|
|
1053
|
|
The Gunfighter
|
Henry King
|
United States,
|
1950
|
|
367
|
|
The Haunted Strangler
|
Robert Day
|
United States,
|
1958
|
|
116
|
|
The Hidden Fortress
|
Akira Kurosawa
|
Japan,
|
1958
|
|
196
|
|
Hiroshima mon amour
|
Alain Resnais
|
France,
|
1959
|
|
461
|
|
Hobson’s Choice
|
David Lean
|
United Kingdom,
|
1954
|
|
154
|
|
The Horse’s Mouth
|
Ronald Neame
|
United Kingdom,
|
1958
|
|
480
|
|
The Human Condition
|
Masaki Kobayashi
|
Japan,
|
1959
|
|
|
|
I Am Waiting
|
Koreyoshi Kurahara
|
Japan,
|
1957
|
|
221
|
|
Ikiru
|
Akira Kurosawa
|
Japan,
|
1952
|
|
|
|
I Live in Fear
|
Akira Kurosawa
|
Japan,
|
1955
|
|
158
|
|
The Importance of Being Earnest
|
Anthony Asquith
|
United Kingdom,
|
1952
|
|
810
|
|
In a Lonely Place
|
Nicholas Ray
|
United States,
|
1950
|
|
1100
|
|
The Incredible Shrinking Man
|
Jack Arnold
|
United States,
|
1957
|
|
202
|
|
Indiscretion of an American Wife
|
Vittorio De Sica
|
United States,
|
1953
|
|
1016
|
|
Invention for Destruction
|
Karel Zeman
|
Czechoslovakia,
|
1958
|
|
88
|
|
Ivan the Terrible, Part II
|
Sergei Eisenstein
|
Soviet Union,
|
1958
|
|
246
|
|
I vitelloni
|
Federico Fellini
|
Italy,
|
1953
|
|
|
|
I Will Buy You
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
675
|
|
Journey to Italy
|
Roberto Rossellini
|
Italy,
|
1954
|
|
1015
|
|
Journey to the Beginning of Time
|
Karel Zeman
|
Czechoslovakia,
|
1955
|
|
656
|
|
Jubal
|
Delmer Daves
|
United States,
|
1956
|
|
284
|
|
Kanal
|
Andrzej Wajda
|
Poland,
|
1957
|
|
|
|
Kapò
|
Gillo Pontecorvo
|
Italy,
|
1959
|
|
575
|
|
The Killing
|
Stanley Kubrick
|
United States,
|
1956
|
|
568
|
|
Kiss Me Deadly
|
Robert Aldrich
|
United States,
|
1955
|
|
|
|
Last Holiday
|
Henry Cass
|
United Kingdom,
|
1950
|
|
|
|
A Lesson in Love
|
Ingmar Bergman
|
Sweden,
|
1954
|
|
601
|
|
Letter Never Sent
|
Mikhail Kalatozov
|
Soviet Union,
|
1959
|
|
664
|
|
The Life of Oharu
|
Kenji Mizoguchi
|
Japan,
|
1952
|
|
756
|
|
Limelight
|
Charles Chaplin
|
United States,
|
1952
|
|
503
|
|
Lola Montès
|
Max Ophuls
|
Germany,
|
1955
|
|
429
|
|
The Lovers
|
Louis Malle
|
France,
|
1958
|
|
537
|
|
The Magician
|
Ingmar Bergman
|
Sweden,
|
1958
|
|
457
|
|
Magnificent Obsession
|
Douglas Sirk
|
United States,
|
1954
|
|
650
|
|
A Man Escaped
|
Robert Bresson
|
France,
|
1956
|
|
406
|
|
Martha Graham: Dance on Film
|
Nathan Kroll
|
United States,
|
1959
|
|
1119
|
|
Miracle in Milan
|
Vittorio De Sica
|
Italy,
|
1951
|
|
416
|
|
Miss Julie
|
Alf Sjöberg
|
Sweden,
|
1951
|
|
111
|
|
Mon oncle
|
Jacques Tati
|
France,
|
1958
|
|
110
|
|
Monsieur Hulot’s Holiday
|
Jacques Tati
|
France,
|
1953
|
|
573
|
|
The Music Room
|
Satyajit Ray
|
India,
|
1958
|
|
197
|
|
Night and Fog
|
Alain Resnais
|
France,
|
1955
|
|
274
|
|
Night and the City
|
Jules Dassin
|
United States,
|
1950
|
|
541
|
|
The Night of the Hunter
|
Charles Laughton
|
United States,
|
1955
|
|
49
|
|
Nights of Cabiria
|
Federico Fellini
|
Italy,
|
1957
|
|
7
|
|
A Night to Remember
|
Roy Ward Baker
|
United Kingdom,
|
1958
|
|
|
|
Nobody’s Children
|
Raffaello Matarazzo
|
Italy,
|
1952
|
|
296
|
|
Le notti bianche
|
Luchino Visconti
|
Italy,
|
1957
|
|
647
|
|
On the Waterfront
|
Elia Kazan
|
United States,
|
1954
|
|
126
|
|
Ordet
|
Carl Th. Dreyer
|
Denmark,
|
1955
|
|
68
|
|
Orpheus
|
Jean Cocteau
|
France,
|
1950
|
|
870
|
|
Othello
|
Orson Welles
|
United States,
|
1952
|
|
783
|
|
Pather Panchali
|
Satyajit Ray
|
India,
|
1955
|
|
538
|
|
Paths of Glory
|
Stanley Kubrick
|
United States,
|
1957
|
|
314
|
|
Pickpocket
|
Robert Bresson
|
France,
|
1959
|
|
224
|
|
Pickup on South Street
|
Samuel Fuller
|
United States,
|
1953
|
|
444
|
|
Le plaisir
|
Max Ophuls
|
France,
|
1952
|
|
419
|
|
La Pointe Courte
|
Agnès Varda
|
France,
|
1955
|
|
891
|
|
La poison
|
Sacha Guitry
|
France,
|
1951
|
|
138
|
|
Rashomon
|
Akira Kurosawa
|
Japan,
|
1950
|
|
|
|
The Red Balloon
|
Albert Lamorisse
|
France,
|
1956
|
|
213
|
|
Richard III
|
Laurence Olivier
|
United Kingdom,
|
1955
|
|
|
|
Ride Lonesome
|
Budd Boetticher
|
United States,
|
1959
|
|
115
|
|
Rififi
|
Jules Dassin
|
France,
|
1955
|
|
704
|
|
Riot in Cell Block 11
|
Don Siegel
|
United States,
|
1954
|
|
276
|
|
The River
|
Jean Renoir
|
France,
|
1951
|
|
443
|
|
La ronde
|
Max Ophuls
|
France,
|
1950
|
|
|
|
Rusty Knife
|
Toshio Masuda
|
Japan,
|
1958
|
|
15
|
|
Samurai II: Duel at Ichijoji Temple
|
Hiroshi Inagaki
|
Japan,
|
1955
|
|
16
|
|
Samurai III: Duel at Ganryu Island
|
Hiroshi Inagaki
|
Japan,
|
1956
|
|
14
|
|
Samurai I: Musashi Miyamoto
|
Hiroshi Inagaki
|
Japan,
|
1954
|
|
386
|
|
Sansho the Bailiff
|
Kenji Mizoguchi
|
Japan,
|
1954
|
|
|
|
Sapphire
|
Basil Dearden
|
United Kingdom,
|
1959
|
|
412
|
|
Sawdust and Tinsel
|
Ingmar Bergman
|
Sweden,
|
1953
|
|
|
|
Scandal
|
Akira Kurosawa
|
Japan,
|
1950
|
|
556
|
|
Senso
|
Luchino Visconti
|
Italy,
|
1954
|
|
2
|
|
Seven Samurai
|
Akira Kurosawa
|
Japan,
|
1954
|
|
11
|
|
The Seventh Seal
|
Ingmar Bergman
|
Sweden,
|
1957
|
|
251
|
|
Shadows
|
John Cassavetes
|
United States,
|
1959
|
|
237
|
|
Smiles of a Summer Night
|
Ingmar Bergman
|
Sweden,
|
1955
|
|
950
|
|
Some Like It Hot
|
Billy Wilder
|
United States,
|
1959
|
|
|
|
The Steel Helmet
|
Samuel Fuller
|
United States,
|
1951
|
|
949
|
|
A Story from Chikamatsu
|
Kenji Mizoguchi
|
Japan,
|
1954
|
|
219
|
|
La strada
|
Federico Fellini
|
Italy,
|
1954
|
|
|
|
Street of Shame
|
Kenji Mizoguchi
|
Japan,
|
1956
|
|
673
|
|
Stromboli
|
Roberto Rossellini
|
Italy,
|
1950
|
|
613
|
|
Summer Interlude
|
Ingmar Bergman
|
Sweden,
|
1951
|
|
22
|
|
Summertime
|
David Lean
|
United States,
|
1955
|
|
614
|
|
Summer with Monika
|
Ingmar Bergman
|
Sweden,
|
1953
|
|
555
|
|
Sweet Smell of Success
|
Alexander Mackendrick
|
United States,
|
1957
|
|
317
|
|
The Tales of Hoffmann
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1951
|
|
|
|
The Tall T
|
Budd Boetticher
|
United States,
|
1957
|
|
69
|
|
Testament of Orpheus
|
Jean Cocteau
|
France,
|
1959
|
|
1120
|
|
The Girl Can’t Help It
|
Frank Tashlin
|
United States,
|
1956
|
|
|
|
The Idiot
|
Akira Kurosawa
|
Japan,
|
1951
|
|
|
|
The Lower Depths
|
Akira Kurosawa
|
Japan,
|
1957
|
|
|
|
The Thick-Walled Room
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
190
|
|
Throne of Blood
|
Akira Kurosawa
|
Japan,
|
1957
|
|
|
|
To Joy
|
Ingmar Bergman
|
Sweden,
|
1950
|
|
217
|
|
Tokyo Story
|
Yasujiro Ozu
|
Japan,
|
1953
|
|
|
|
Tokyo Twilight
|
Yasujiro Ozu
|
Japan,
|
1957
|
|
|
|
Tormento
|
Raffaello Matarazzo
|
Italy,
|
1950
|
|
271
|
|
Touchez pas au grisbi
|
Jacques Becker
|
France,
|
1954
|
|
442
|
|
Twenty-Four Eyes
|
Keisuke Kinoshita
|
Japan,
|
1954
|
|
309
|
|
Ugetsu
|
Kenji Mizoguchi
|
Japan,
|
1953
|
|
201
|
|
Umberto D.
|
Vittorio De Sica
|
Italy,
|
1952
|
|
81
|
|
Variety Lights
|
Federico Fellini…
|
Italy,
|
1950
|
|
1222
|
|
Victims of Sin
|
Emilio Fernández
|
Mexico,
|
1951
|
|
36
|
|
The Wages of Fear
|
Henri-Georges Clouzot
|
France,
|
1953
|
|
|
|
Waiting Women
|
Ingmar Bergman
|
Sweden,
|
1952
|
|
1037
|
|
The War of the Worlds
|
Byron Haskin
|
United States,
|
1953
|
|
|
|
The White Angel
|
Raffaello Matarazzo
|
Italy,
|
1955
|
|
|
|
White Mane
|
Albert Lamorisse
|
France,
|
1953
|
|
189
|
|
The White Sheik
|
Federico Fellini
|
Italy,
|
1952
|
|
139
|
|
Wild Strawberries
|
Ingmar Bergman
|
Sweden,
|
1957
|
|
96
|
|
Written on the Wind
|
Douglas Sirk
|
United States,
|
1956
|