The Criterion Collection
Jul 11, 2025 — Jon Raymond is an author and screenwriter living in Portland. His books include The Half-Life, Livability, Rain Dragon, Freebird, Denial, and God and Sex. He has also published a collection of art writing called The Community: Writings About Art in...
Mar 9, 2020 — Kelly Reichardt is the director of seven feature films: River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek’s Cutoff (2010), Night Moves (2013), Certain Women (2016), and First Cow (2019). Her work was the subject of a...
Sep 30, 2014 — Singer-songwriter and occasional film actor Will Oldham has released eighteen albums, appeared in such films as Matewan (1987), Junebug (2005), Old Joy (2006), and Wendy and Lucy (2008), and teamed with David Byrne to compose the score for This Must...
Jon Raymond is a writer living in Portland, Oregon. His novels include Freebird, Denial, and God and Sex, and his screenwriting credits include Old Joy, Wendy and Lucy, Meek’s Cutoff, and First Cow, among others.
The Daily
Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.
The Daily
Feb 1, 2021 — Critics and programmers introduce the thirty titles lined up for the Tiger and Big Screen competitions.
The Daily
Oct 3, 2019 — The director reunites with writer Jonathan Raymond and cinematographer Christopher Blauvelt for a quiet tale set in the Oregon Territory of the 1820s.
The Daily
Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...
The Daily
Jun 9, 2017 — “The 25 Best Films of the 21st Century. So Far.” Frankly, this time of year, my cursor tends to fly right over a headline like that, having worn itself out on such lists from Thanksgiving through Oscar Night. But this...
On the Channel
May 1, 2019 — A featured director on the Criterion Channel, Reichardt talks with critic April Wolfe about how the personal emerges from the political in her collaborations with writing partner Jon Raymond.