Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Dec 7, 2010 — “Eroticism,” Luis Buñuel told an interviewer, “is a diabolic pleasure that is related to death and rotting flesh.” No filmmaker conveys this idea with more ingenuity and macabre gusto than David Cronenberg, whose movies (hilariously, terrifyingly) illustrate the equation of...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Dec 7, 2010 — This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.

The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.

The actor selects favorite horror films like Videodrome and The Vanishing, talks about connecting with the work of Gregg Araki, and recommends that everyone watch Todd Haynes’s Safe.

The actor and author raves about the visual beauty of The Color of Pomegranates, shares his love for Debbie Harry and her performance in Videodrome, and reflects on the formative experience of seeing River Phoenix in My Own Private Idaho...

Tim Lucas is a novelist, critic, biographer, monographer, and lyricist, as well as the former editor and copublisher of the influential Video Watchdog magazine. The only journalist granted full access to the set of Videodrome, he is now the audio...

Oct 30, 2017 — Just in time for Halloween, we’re musing on what it is that makes a movie frightening with the help of filmmaking duo Josh and Benny Safdie.

Feb 22, 2009 — “If there’s such a thing as an ideal time of day to expose yourself to the deranging, hallucinatory visions of the Canadian filmmaker David Cronenberg, midnight might well be it,” writes critic and Criterion contributor Terrence Rafferty in a terrific...