The Criterion Collection
Essays
Jan 15, 1996 — If Akira Kurosawa is the John Ford of Japanese samurai dramas, then director Kihachi Okamoto—a specialist in action films, with a particulat accent on violence and raw characterizations—is the samurai film’s Sam Fuller.
Jan 6, 2015 — Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...
The Daily
Jun 26, 2025 — This is the season for catching 35 mm and 70 mm prints of classics and rarities.
Oct 24, 2005 — Hideo Gosha’s swordplay drama captures rebellion against the Japanese feudal system, pitting its twin protagonists against each other but also, together, against the very notion of authority itself.
The Daily
Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Nov 11, 2016 — The DailyLegendary French cinematographer Raoul Coutard, who created some of the most indelible images in film history, has passed away at the age of ninety-two. The BFI pays tribute to him by republishing an article from the winter 1965–1966 issue...
The Daily
Mar 31, 2025 — Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.