Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Mar 6, 2024 — Marlene Dietrich, Pietro Germi, Anatole Litvak: Il Cinema Ritrovato previews nine main programs.

Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.

Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.

Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Jan 9, 2020 — MoMA presents an eclectic selection of new restorations and discoveries from around the world.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.