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Watch Now On The Criterion Channel

Aug 30, 2021 Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.

Sep 22, 2008 With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...

Oct 5, 2017 For kicks, I’m opening this one with something I wrote myself back in February, just hours after seeing the film at the Berlinale: “Aki Kaurismäki’s uneven but irresistibly amusing The Other Side of Hope, dedicated to the late film historian...

Jul 31, 2012 Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Aug 19, 2009 I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Oct 21, 2015 Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Oct 4, 2016 This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.

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