The Criterion Collection
The Daily
Dec 12, 2022 — Critics, the European Film Academy, and the International Documentary Association spent the weekend listing and awarding.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
Interviews
Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.
The Daily
May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...
The Daily
Jan 27, 2020 — Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.
Apr 11, 2018 — Sabzian alerts us to two new images from Jean-Luc Godard’s Le livre d’image posted by Casa Azul Films, which tells us that we can expect the film some time this year. Ioncinema’s Nicholas Bell is hoping to see it in...