The Criterion Collection
On the Channel
Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...
The Daily
Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.
The musician, producer, and composer praises the sonic world of Brian De Palma’s movies, shares why he thinks The Color of Pomegranates is the most beautiful film ever made, and discusses what The Game taught him about the interplay between...
The Daily
Jul 8, 2026 — Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.
Dec 30, 2008 — It’s the last day of 2008, and all the balloting is finally done. Here’s a rundown of how Criterion rated in the best DVDs of the year polls: The Sight & Sound list included Criterion’s “gripping morality tale” Death of...
On the Channel
Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
On the Channel
Feb 18, 2025 — HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.