Search

Shop 4K, Blu-ray, and DVD (60)
Watch Now On The Criterion Channel

Sep 23, 2014 In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Mad Summers

The Daily

Jun 12, 2026 We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

Jan 4, 2018 Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....

August Books

The Daily

Aug 12, 2019 This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Jun 29, 2017 Dorothy B. Hughes’s 1947 novel In a Lonely Place, “about a World War II flyboy, now a serial rapist and murderer, would have violated just about every commandment in the Production Code,” had Nicholas Ray and screenwriter Andrew Solt stuck...

May 14, 2026 Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...

May 27, 2025 The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Current Page
1
of 3

You have no items in your shopping cart