The Criterion Collection
Essays
Oct 18, 1998 — 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...
The pair behind the cult-favorite sketch comedy series Portlandia joined us at the Criterion Mobile Closet in Portland, Oregon, where they shared their love for Being There and After Hours, talked about their favorite Ingmar Bergman movies, and gifted each...
The Daily
Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.
Jul 2, 2026 — I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...
The Daily
Feb 18, 2020 — From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.
The Daily
Aug 21, 2026 — Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
The Oscar-winning composer selects favorite films that continue to excite him, including Andrei Rublev and Sid & Nancy; praises the transportive nature of Les Blank’s work; and shares how Nicolas Roeg changed his life.
The Daily
Oct 26, 2017 — New York. A new restoration of Hou Hsiao-hsien’s Daughter of the Nile (1987) opens at the Quad tomorrow. In the New York Times, J. Hoberman notes that it was “produced by a music company as a vehicle for the Taiwanese...