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Cannes 2024 Lineup

The Daily

Apr 11, 2024 Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Apr 19, 2018 Following yesterday’s news that David Cronenberg will be heading up the International Jury at the Neuchâtel International Fantastic Film Festival in July, the Venice International Film Festival has announced that Cronenberg will receive the Golden Lion for Lifetime Achievement for...

Sep 29, 2014 The Toronto-based songwriter-producer Austin Garrick is one-half (alongside vocalist Bronwyn Griffin) of the electronic pop duo Electric Youth, whose full-length debut album, Innerworld, was released in September 2014 by Secretly Canadian/Last Gang Records. Garrick’s music is known to fans of...

Aug 13, 2024 This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Jul 13, 2020 Kaufman’s sprawling first novel is being met with generally positive reviews. And his next movie will premiere on Netflix in September.

Sep 17, 2019 Also this month: Hollywood stars writing and reading and a novel that reimagines the intertwined lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl.

Apr 7, 2021 Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...

Aug 3, 2020 Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...

Jul 6, 2020 Songbook In the blue moonlight of a humid December night, an escape is underway. A man in army fatigues runs from an open-air cell with a rolled-up rug in one hand and a sword in the other, stolen from someone...

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

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