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August Books

The Daily

Aug 27, 2025 The summer’s been terrific for new movie magazines and filmmaker biographies.

Mar 25, 2025 Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Nov 7, 2024 Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.

Jan 12, 2023 Japan Society and the Japan Foundation present six imported 35 mm prints showcasing the work of one of cinema’s most exhilarating stylists.

Sep 22, 2021 No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.

Dec 30, 2017 Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Apr 13, 2023 Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.

Dec 14, 2021 In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...

Sep 8, 2017 “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Mar 31, 2020 Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

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