The Criterion Collection
The Daily
Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.
The Daily
Nov 1, 2022 — The independent publisher launches a two-volume collection and a film series in New York.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
The Daily
Jan 10, 2018 — Screenwriter Todd Alcott has a new book out, Kubrick: Five Films: An Analysis, the fourth volume in his series, What Does the Protagonist Want? In a series of nine posts at his site, he walks us through Barry Lyndon (1975),...
Sneak Peeks
Nov 14, 2012 — Pier Paolo Pasolini is without question one of the most controversial filmmakers who ever lived. He is also among the most fascinating. He brought rigorous social and artistic philosophies to every project he embarked on, and boldly voiced beliefs that...
In Theaters
Dec 1, 2016 — Repertory PicksSince September, the Berkeley Art Museum & Pacific Film Archive has been honoring the great Italian actor Anna Magnani with a career-spanning retrospective of her work. This Saturday, the series continues with Pier Paolo Pasolini’s 1962 sophomore feature, Mamma...